SIMON STARLING

Starling’s vessel is a cross-cultural, technical and aesthetic collaboration between Danish thatched roof makers and Bolivian reed boat builders. The various uses and positioning of reed bundles (a sustainable building material) provides the vessel with both buoyancy and a weather resistant covering. Ho is a low-lying village located in southwestern Jutland, Denmark, and given its proximity to the coast it is threatened by the rising sea levels caused by climate change. In Starling’s work, two apparently incongruous traditions come together to propose a new way of living with, and combating, the climate emergency.

In the Bricks Space, an image of the boat in situ occupies a specially fabricated wall, and sitting before this is a model of the boat itself produced using the same reeds as the original. Across from this is a drawing of The Strawman in charcoal, framed in burnt wood. This skeletal figure, also made of reeds, wears a mask resembling the artist made in collaboration with Yasuo Miichi見市泰男, a master Noh mask maker from Osaka, Japan. This automaton figure was originally shown in Starling’s exhibition ‘Metamorfuoco. Sotto la luce del Tintoretto’ at the Modena-Galleria Estense in 2022. In a text accompanying the exhibition, The Strawman’s origins are explained, including its relation to the myth of Phaethon, son of the sun god Helios in Greek mythology who was struck down by Zeus to protect the earth from the heat of the sun.

Within the exhibition, the twin concerns of climate change are united by the two poles represented by The Strawman and the Houseboat – fire and water. Increased heat is drying out freshwater lakes such as Bolivia’s Lake Titicaca while also causing the accelerated melting of polar ice caps which produces the higher sea levels affecting Ho. Metamorfuoco translates roughly as ‘transformed by fire’, a word which speaks to the challenges of the current moment.