Exhibition view: Han Youngwook, FACE, Whitestone Gallery, Hong Kong (24 October–5 December 2020). Courtesy Whitestone Gallery.
Ocula News Rebounding From COVID-19, Hong Kong Galleries Face New Round of Protests Hong Kong, 25 May 2020 Political turmoil poses an additional challenge for initiatives such as UNSCHEDULED, announced today.
Ocula Photolog The most searched artists on Ocula now A selection of this week's most searched artists on Ocula.com
Related Press Yayoi Kusama’s Mesmerizing, Meditative Garden 13 July 2018, Hyperallergic My most recent visit to the Rockaways was to experience Yayoi Kusama’s magnificent Narcissus Garden (1966–present) in a still intact if ramshackle former train repair facility, dating to the time when Fort Tilden, now part of the Gateway National Recreation Area, was still an active military installation. Kusama, now 89 years old and one of the...
Related Press 1,500 Yayoi Kusama Mirror Balls Beckon Beachgoers to the Rockaways 22 June 2018, Hyperallergic First presented by the artist as an unofficial project outside the Italian pavilion at the 1966 Venice Biennale, Narcissus Garden (1966) consists of 1,500 reflective orbs spread throughout a space. In the work's first iteration, Kusama wore a golden kimono or red onesie and stood amid the plastic orbs alongside signs that read 'Narcissus...
Related Press Yayoi Kusama’s ‘Narcissus Garden’ Is Coming to the Rockaways 18 June 2018, The New York Times Art lovers and Instagram fanatics will both have a good reason to head to the Rockaways this summer: Yayoi Kusama's shimmering Narcissus Garden will be installed there starting July 1. The work is made up of 1,500 mirrored stainless steel spheres placed in the imposing confines of Fort Tilden, a former Army base on the beach in Queens. The...
Related Press Japanese Gutai in the 1950s: Fast and Fearless 14 June 2018, The New York Times In the 1950s, the artists of the newly formed Gutai group of Japan worked fast and fearlessly, changing styles and mediums at will, staying abreast of the latest postwar developments abroad. The mood of this band of innovators was eclectic — and electric — as demonstrated by "Gutai: 1953-1959," an ambitious show at Fergus...
