




Rachel Feinstein’s multipart installations reveal her singular flair for synthesising a myriad of cultural fascinations—religion, myth, beauty, mortality, decadence—into vignettes of the marvellous. Borrowing freely from diverse artistic, architectural, intellectual, and stylistic sources, she explores issues of taste and desire, pairing visual and societal opposites such as romance and pornography; elegance and kitsch; fantasy and the utterly banal. Oil paintings on mirrored surfaces, flat propped sculptures reminiscent of set dressings, and abstracted reworkings of classical sculpture confront persistent issues of artistic representation, such as theatricality and illusionism.




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