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58th Venice Biennale: May You Live In Interesting Times Ocula Report 58th Venice Biennale: May You Live In Interesting Times 24 May 2019 : Mohammad Salemy for Ocula

The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...

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Zheng Bo Ocula Conversation Zheng Bo

Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...

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Auckland Art Fair 2019: Conversations Extended Ocula Report Auckland Art Fair 2019: Conversations Extended 24 May 2019 : Sherry Paik for Ocula

The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...

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Related Press

Christine Ay Tjoe at White Cube, Bermondsey

Piers Masterson ArtAsiaPacific First published on 6 August 2016
Christine Ay Tjoe, Greed and Greed 2, 2016. Copyright the artist. Courtesy White Cube, London. 

Christine Ay Tjoe’s current show of new paintings at White Cube’s Bermondsey space in London marks a period of transition for the artist both in her career and in the stylistic changes of her paintings. Each work on display shares a strong direction of movement; in the case of the larger diptych, Greed and Greed 2 (all works 2016), a red mass appears to pursue a floating green form. In different arrangements, these shifting “demonic” forms of reddish brown and magenta appear in several recent pieces, which are more angular and clearly delineated than in the artist’s earlier work. In some paintings, hands, claws and other organs protrude. 

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