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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Browse Artworks

Who Cares Wins by Harland Miller contemporary artwork Harland MillerWho Cares Wins, 2019 Hand-finished print
135 x 109.5 cm
Reflex Amsterdam
Armageddon by Harland Miller contemporary artwork Harland MillerArmageddon, 2017 Etching with blockprinting
120 x 119.5 cm
Paragon
You Never Really Hurt Me by Harland Miller contemporary artwork Harland MillerYou Never Really Hurt Me, 2010 oil on paper
253 x 156 cm
Reflex Amsterdam
If Everything's Right What's Wrong by Harland Miller contemporary artwork Harland MillerIf Everything's Right What's Wrong, 2013 oil on paper
164 x 134 cm
Reflex Amsterdam
Colour Scheme For A Fucking Fiasco by Harland Miller contemporary artwork Harland MillerColour Scheme For A Fucking Fiasco, 2013 oil on paper
152 x 122 cm
Reflex Amsterdam
Happiness by Harland Miller contemporary artwork Harland MillerHappiness, 2017 Aquatint etching with blockprinting
178.5 x 120 cm
Paragon
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