b. 1995, Denmark

Elmgreen & Dragset Biography

Collaborating since 1997, artists Michael Elmgreen and Ingar Dragset (Elmgreen & Dragset) have actively challenged and reshaped contemporary ideas about the viewing and experiencing of art. Wit and subversive humour almost always accompany their works, as evident in Prada Marfa (2005), which saw the artists place a fake Prada store in the middle of a Texas desert town, and the large sculpture Van Gogh's Ear (2016), which rendered the legendary ear using a domestic swimming pool. 'The noblest role of art', in the words of the artists, is 'to reject responsibility, to exist beyond any logic, to not just be reduced to becoming a reaction to something else.'

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Elmgreen & Dragset often seek to challenge the status quo of the art world while maintaining their signature humour. Entering the art world in the 1990s as 'outsiders'—with no academic background in art—the duo confronted the convention of the white cube literally by designing gallery spaces suspended from the ceiling, sunken into the ground or turned upside down. The transformation of these galleries was not simply whimsical; they also sought to reconfigure the rules that have dictated and continue to dictate the experience of art.

The transformation of conventional space is as integral to Elmgreen & Dragset's practice as the objects they may put in the space. In their 2015 show Aéroport Mille Plateaux, the duo transformed PLATEAU, Samsung Museum of Art, Seoul, into an airport. With chairs commonly found in airports and playbacks of announcements for arrivals and cancelled flights, the space dictated the experience and behaviour of its visitors. Through the transformation, the duo explored the interchangeability of institutional architecture.

Elmgreen & Dragset have also demonstrated their prowess as artist-curators on several occasions. At the 53rd Venice Biennale in 2009, in an unprecedented merging of two national pavilions, Elmgreen & Dragset curated the Danish and Nordic Pavilions as a single exhibition. Titled The Collectors, the exhibitions invited more than 20 artists and designers from the two respective countries to fill the homes of fictional art collectors. In transforming an otherwise competitive event into one of participation and intimacy, the duo subverted art world convention once more. Similarly, for their first exhibition in mainland China at the Ullens Centre for Contemporary Art, they turned the institution's great hall into the site of an art fair. Presenting a selection of over 80 of their works from the past two decades, The Well Fair (2016) continued the artists' longstanding interest in merging spaces to critique conventions of the art world. Each booth of the fair addressed larger sociocultural problems such as childhood and identity, while the fictive setting of the fair subverted the social hierarchy of artists and artworks found in commercial art fairs. Their success was further recognized by their appointment as the curators for the 15th Istanbul Biennial in 2017.

Based in Berlin, Elmgreen & Dragset have exhibited at numerous venues including Museum Haus Lange, Kunstmuseen Krefeld, Germany (2017); Tel Aviv Museum of Art, Israel (2016); Statens Museum for Kunst, Copenhagen (2014); Victoria & Albert Museum, London (2013–2014); Tate Modern, London (2004); and Kunsthalle Zürich (2001). In 2000, they were nominated for the Hugo Boss Prize, in 2002 they won the Preis der Nationalgalerie at Hamburger Bahnhof, Berlin, and in 2009 they were awarded Special Mention at that year's Venice Biennale for their effort as curators.

Sherry Paik | Ocula | 2017

Elmgreen & Dragset Featured Artworks

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Boy With Gun by Elmgreen & Dragset contemporary artwork sculpture
Elmgreen & Dragset Boy With Gun, 2021 Bronze, steel, lacquer
208.4 x 50 x 50 cm
Pace Gallery
On Target, Fig. 2 by Elmgreen & Dragset contemporary artwork sculpture
Elmgreen & Dragset On Target, Fig. 2, 2021 Mirror-polished stainless steel and lacquer
130 x 130 x 40.6 cm
Pace Gallery
Doubt, Fig. 3 by Elmgreen & Dragset contemporary artwork sculpture
Elmgreen & Dragset Doubt, Fig. 3, 2019 Polished stainless steel, Oriol, aluminium, bronze, lacquer
Perrotin Contact Gallery
In the Same Boat by Elmgreen & Dragset contemporary artwork sculpture
Elmgreen & Dragset In the Same Boat, 2018 Epoxy, wood, aluminium, lacquer
75.6 x 112 x 11 cm
Kukje Gallery Contact Gallery
Hand in Moon by Elmgreen & Dragset contemporary artwork photography, print
Elmgreen & Dragset Hand in Moon, 1999–2002 C-print, framed, artist proof
29.7 x 42 cm
Bernhard Knaus Fine Art Contact Gallery
Watching by Elmgreen & Dragset contemporary artwork sculpture
Elmgreen & Dragset Watching, 2016 Stainless steel, epoxy resin, Urethane paint
320 x 100 cm
Perrotin Contact Gallery
Reversed Crucifix by Elmgreen & Dragset contemporary artwork sculpture
Elmgreen & Dragset Reversed Crucifix, 2016 Aluminium, white matte lacquer, patinated bronze figure on stainless steel, MDF, high-gloss lacquer cross
254 x 168 x 40 cm
Not for sale
Tang Contemporary Art
Human Scale (Zero) by Elmgreen & Dragset contemporary artwork mixed media
Elmgreen & Dragset Human Scale (Zero), 2018 Aluminium, lacquer, polyurethane, polished stainless steel
179.3 x 80 x 82 cm
Kukje Gallery Contact Gallery

Elmgreen & Dragset Recent Exhibitions

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Elmgreen & Dragset Represented By

KÖNIG GALERIE contemporary art gallery in Berlin, Germany
KÖNIG GALERIE Berlin, Seoul, Vienna
Kukje Gallery contemporary art gallery in Seoul, South Korea
Kukje Gallery Busan, Seoul
Pace Gallery contemporary art gallery in 540 West 25th Street, New York, USA
Pace Gallery East Hampton, Geneva, Hong Kong, London, Los Angeles +4
Perrotin contemporary art gallery in Paris, France
Perrotin Hong Kong, New York, Paris, Seoul, Shanghai +1
Victoria Miro contemporary art gallery in Wharf Road, London, United Kingdom
Victoria Miro London, New York, Venice

Elmgreen & Dragset In Ocula Magazine

Elmgreen & Dragset In Related Press

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