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Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula

Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...

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Reiko Tomii Ocula Conversation Reiko Tomii

In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...

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Related Press

ShanghART gallery fetes 20 years, inaugurating new West Bund space

Ann Binlot Wallpaper* First published on 21 November 2016
Shanghai gallery ShanghART has inaugurated its new West Bund space, designed by Archi-Union Architects, with a group exhibition.

Raclette in Shanghai? The idea of eating the Swiss favourite consisting of melted cheese, potatoes, cornichons and pearl onions in China’s second-most populous city might be a bit strange, but considering it was served at the 20th anniversary party of ShanghART — founded in 1996 by Swiss dealer Lorenz Helbling — it made perfect sense. Back in 1996 — the same year Wallpaper* launched its first issue — Shanghai had yet to become the global city it has since transformed into. 'Back in 1996, we started simply with a desk and some paintings hanging on fish wires on the walls of a hotel lobby,' recalls Helbling.

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