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Ocula ReportFrieze Week 2018: London, Masters and 1-5412 Oct 2018 : Amah-Rose McKnight-Abrams for Ocula{{document.location.href}}
A rush of politics kicked off Frieze Week this year, with a talk between Chelsea Manning and James Bridle organised by the Institute of Contemporary Arts at the Royal Institution, three days ahead of the opening of Frieze London, Frieze Masters and 1-54 (4–7 October 2018). The event felt more like a press conference, with attendees seemingly...
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Ocula ConversationCristina Ricupero and Jörg HeiserCurators, Busan Biennale{{document.location.href}}
Divided We Stand, the tongue-in-cheek title of the 9th Busan Biennale (8 September–1 November 2018), speaks to the psychological effects of borders on individual and collective social consciousness. Co-curated by artistic directors Cristina Ricupero and Jörg Heiser, with guest curator Gahee Park, the exhibition explores the divisions haunting...
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Ocula ReportAnni Albers: In Focus6 Oct 2018 : Inga Lace for Ocula{{document.location.href}}
Walking through the Anni Albers exhibition at the K20, Kunstsammlung Nordrhein-Westfalen, in Düsseldorf this summer (9 June–9 September 2018), I couldn't help thinking about the 1944 poem by American dancer and artist Raymond Duncan, 'I Sing the Weaver'. The poem talks about weaving as a practice linking a weaver's body to the world; a view that...
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Born in Colorado, USA in 1979 and based in New York, Everett is a mixed media artist whose practice encompasses video and painting. With an initial degree in Landscape Architecture, Everett traversed into the making of art by completing a MFA at the University of Toronto. Everett was exposed in the formative parts of his early career to raw space, the vibrating yet contemplative existence elicited by bare earth. He is inspired by artists exploring the relationship between land and art such as Robert Smithson and Michael Heizer.

Everett's work stems from a centre of intuition and subtly evolves beyond process and creation; neither never fully created not complete, its significance is in its evolving state between beauty and decay. The resulting work has translucent qualities; they shimmer, glean, and glisten, while encouraging a contemplative engagement that challenges how you look at yourself, and how you view your surroundings. Everett's work is hypnotic, transcendental and disturbing whilst simultaneously pervading a mesmerising quality. It does not spell out what you should see but rather opens your mind to numerous transformative possibilities. 

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