In his densely layered abstract paintings, Mario Martinez blends fragments of his life in Brooklyn, New York alongside motifs from the natural world: cosmic imagery, rock formations, flora and fauna. Martinez is a member of The Pascua Yaqui Tribe of Arizona, and his reverence for nature is drawn from the spiritual traditions of the Yaqui people. His palette reflects the Sonoran Desert of California and Arizona where he grew up, with its year-round cerulean skies, molten orange sunsets, and ochre clay soil. His fragmentary, abstract style departs from more figurative styles commonly associated with Indigenous Art, taking inspiration from American Abstract Expressionist painters including Arshile Gorky, Lee Krasner and Willem de Kooning. Though influenced by the bold, linear figurative style of Indigenous painters such as R.C. Gorman and Fritz Scholder, Martinez finds that abstraction offers a more universal visual language with which to share his Yaqui heritage, centered on the deep connection that his people have forged with the land across 40,000 years of tradition and culture.
Mario Martinez (b. 1953, Scottsdale, AZ) lives and works in New York, NY. Martinez was born in the Yaqui settlement of Penjamo village and is an enrolled member of the Pascua Yaqui Tribe of Arizona. He received his BFA from the School of Art, Arizona State University in 1979, and an MFA from the San Francisco Art Institute in 1985. He is currently exhibiting his first solo exhibition with Pippy Houldsworth Gallery, _Yaqui & Brooklyn Conversations. _ Martinez is also currently included in Flow States – LA TRIENAL 2024, El Museo del Barrio’s second large-scale survey of Latinx contemporary art; The Brooklyn Artists Exhibition, Brooklyn Museum, NY; and Indigenous Identities: Here, Now & Always, Zimmerli Art Museum at Rutgers University, NY. Since 1991, Martinez’s work has appeared in almost 50 solo and group exhibitions at prestigious venues across the US, including Denver Art Museum, CO (1995, 1998); Montclair Art Museum, NJ (2018–2020); and Eiteljorg Museum, Indianapolis, IN (2015-2016, 2017-2018). In 2005, he was the subject of a major mid-career retrospective at the Smithsonian Institution’s National Museum of the American Indian, New York, NY. He has received numerous grants and awards, including a Native Arts Research Fellowship, (1998, National Museum of the American Indian); an Artist in Residence Fellowship (2001–2002, National Museum of the American Indian); a Joan Mitchell Foundation CALL Grant (2013–2014); a Robert Rauschenberg Foundation Residency (2014–2015); and the Murray Reich Distinguished Artist Award (2017, New York Foundation for the Arts). Martinez’s work is featured in the collections of numerous museums and institutions across the country, such as the Museum of Contemporary Native American Art, Santa Fe, NM; Eiteljorg Museum, IN; Smithsonian National Museum of the American Indian, Washington, D.C.; John D. and Catherine T. MacArthur Foundation, Chicago, IL; and the Heard Museum, Phoenix, AZ; Tucson Museum of Art, AZ, among others.
Text courtesy Pippy Houldsworth Gallery.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services