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Jess Johnson: Worlds Within Worlds Ocula Conversation Jess Johnson: Worlds Within Worlds

Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...

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Melati Suryodarmo: Performance Art as Trigger Ocula Conversation Melati Suryodarmo: Performance Art as Trigger

In 2012, Melati Suryodarmo opened Studio Plesungan in her native Surakarta, also known as Solo, the historic royal capital of the Mataram Empire of Java in Indonesia. Suryodarmo had returned to Indonesia from Germany, where she studied Butoh and choreography with Butoh dancer and choreographer Anzu Furukawa, time-based media with avantgarde...

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Lagos Biennial 2019: Stories from Africa’s most Populous City Ocula Report Lagos Biennial 2019: Stories from Africa’s most Populous City 15 Nov 2019 : Jareh Das for Ocula

Under the direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute of...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Mark Adams

b. 1949, New Zealand

Browse Artworks

19.2.1997. Mangungu Wesleyan Mission Hokianga. Treat Site Series. by Mark Adams contemporary artwork
Mark Adams19.2.1997. Mangungu Wesleyan Mission Hokianga. Treat Site Series., c. 1997 Silver bromide photograph
20 x 24 inches
Page Galleries
28.11.1995. Johann Reinhold Forster collection, Pitt Rivers Museum, Oxford by Mark Adams contemporary artwork
Mark Adams28.11.1995. Johann Reinhold Forster collection, Pitt Rivers Museum, Oxford, 2015 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 2 prints,
60 x 51 cm
Two Rooms
25.5.1995. Astronomers Point. Totara stumps and regenerating forest. Tamatea-Dusky Sound. After Russell Duncan by Mark Adams contemporary artwork
Mark Adams25.5.1995. Astronomers Point. Totara stumps and regenerating forest. Tamatea-Dusky Sound. After Russell Duncan, 2017 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
Two Rooms
19.5.1995. Northeast Point, Indian Island; Site of first contact. Tamatea- Dusky Sound by Mark Adams contemporary artwork
Mark Adams19.5.1995. Northeast Point, Indian Island; Site of first contact. Tamatea- Dusky Sound, 2017 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
Two Rooms
12.12.1995. Motuara Island. Totaranui-Queen Charlotte Sound. After Russell Duncan by Mark Adams contemporary artwork
Mark Adams12.12.1995. Motuara Island. Totaranui-Queen Charlotte Sound. After Russell Duncan, 2017 silver bromide hand print enlarged from 10 x 8 inch Kodak TMX400 negatives,
60 x 51 cm
Two Rooms
25.5.1995. The Observatory. Astronomers Point. Totara stumps and regenerating forest. Tamatea-Dusky Sound. After Russell Duncan by Mark Adams contemporary artwork
Mark Adams25.5.1995. The Observatory. Astronomers Point. Totara stumps and regenerating forest. Tamatea-Dusky Sound. After Russell Duncan, 2017 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
Two Rooms
14.5.1995. Cascade Cove, Tauwhare, Rock shelter and Midden excavation. Tamatea-Dusky Sound by Mark Adams contemporary artwork
Mark Adams14.5.1995. Cascade Cove, Tauwhare, Rock shelter and Midden excavation. Tamatea-Dusky Sound, 2017 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
Two Rooms
15.5.1995. Views from Astronomers Point. Tamatea Dusky Sound. After Russell Duncan by Mark Adams contemporary artwork
Mark Adams15.5.1995. Views from Astronomers Point. Tamatea Dusky Sound. After Russell Duncan, 2017 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
Two Rooms
22. 6. 2014. Totara Stump, Astronomers Point, Pickersgill Harbour, Tamatea-Dusky Sound by Mark Adams contemporary artwork
Mark Adams22. 6. 2014. Totara Stump, Astronomers Point, Pickersgill Harbour, Tamatea-Dusky Sound, 2014 C-type print, silver based colour enlargements from 10x8 inch Kodak Portra 400
120 x 100 cm
Two Rooms
22. 6. 2014. Totara Stump, Astronomers Point, Pickersgill Harbour, Tamatea-Dusky Sound by Mark Adams contemporary artwork
Mark Adams22. 6. 2014. Totara Stump, Astronomers Point, Pickersgill Harbour, Tamatea-Dusky Sound, 2014 C-type print, silver based colour enlargements from 10x8 inch Kodak Portra 400
120 x 100 cm
Two Rooms
Nine Fathoms Passage, 27. 6. 2014 - 1. 7. 2014. After William Hodges 'Waterfall in Dusky Bay with a Maori Canoe, 1775-7’ by Mark Adams contemporary artwork
Mark AdamsNine Fathoms Passage, 27. 6. 2014 - 1. 7. 2014. After William Hodges 'Waterfall in Dusky Bay with a Maori Canoe, 1775-7’, 2014 C-type print, silver based colour enlargements from 10x8 inch Kodak Portra 400
120 x 100 cm
Two Rooms
Seaforth River, Supper Cove, Dusky Sound by Mark Adams contemporary artwork
Mark AdamsSeaforth River, Supper Cove, Dusky Sound, 2014 C-type print, silver based colour enlargements from 10x8 inch Kodak Portra 400
50 x 75 cm
Two Rooms
Broughton Arm, Breaksea, Dusk Sounds by Mark Adams contemporary artwork
Mark AdamsBroughton Arm, Breaksea, Dusk Sounds, 2014 C-type print, silver based colour enlargements from 10x8 inch Kodak Portra 400
50 x 75 cm
Two Rooms
19. 7. 2005. At Tokatoka, Northern Wairoa River by Mark Adams contemporary artwork
Mark Adams19. 7. 2005. At Tokatoka, Northern Wairoa River, 2005 Analogue fibre-based gold-toned silver bromide prints
20 x 24 inches
Page Galleries
27.9.1997 At Te Marua - Old Pa. Ngati Koata. Rangitoto - D'Urville Island by Mark Adams contemporary artwork
Mark Adams27.9.1997 At Te Marua - Old Pa. Ngati Koata. Rangitoto - D'Urville Island 20 x 24 inch silver bromide fibre based print enlarged from 10 x 8 inch black and white negatives,
Two Rooms
 19.5.1989. Te Ana o Hineraki-Moa Bone Cave, Opawaho-Otakaroro estuary, Redcliffs, Christchurch, by Mark Adams contemporary artwork
Mark Adams 19.5.1989. Te Ana o Hineraki-Moa Bone Cave, Opawaho-Otakaroro estuary, Redcliffs, Christchurch,, 2006 Analogue fibre-based gold-toned silver bromide prints
20 x 24 inches
Page Galleries
Cook's Sites 21.5.1995 After William Hodges' 'Cascade Cove, Dusky Bay' by Mark Adams contemporary artwork
Mark AdamsCook's Sites 21.5.1995 After William Hodges' 'Cascade Cove, Dusky Bay', c. 2007 Gold toned silver bromide fibre-based prints (4 prints)
60 x 51 cm
Two Rooms
2001 Totara, Papatowai, Murihiku by Mark Adams contemporary artwork
Mark Adams2001 Totara, Papatowai, Murihiku, 2007 Gold toned silver bromide fibre based prints (2 prints)
60 x 51 cm
Two Rooms
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