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Taloi Havini: Reclaiming Space and History Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Armory Week Lowdown: Art Shows to See Ocula Report Armory Week Lowdown: Art Shows to See By Casey Carsel, New York

After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.

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Ella Kruglyanskaya Steals from Art History, Takes Back Gaze Ocula Insight Ella Kruglyanskaya Steals from Art History, Takes Back Gaze By Tessa Moldan, London

For her second solo exhibition at Thomas Dane Gallery in London, Ella Kruglyanskaya's compositions signal the many possibilities of paint.

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HomePage Artists

b. 1949, New Zealand

Mark Adams Biography

Mark Adams is one of New Zealand’s foremost documentary photographers. His work on Samoan Tattau, Maori-Pakeha interactions in and around Rotorua, and the documentation of Cook’s landing sites reflect his engagement with our postcolonial Pacific history.

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“His work is an engagement with the deep artful, bloody and inextricably complicated histories of colonialism in the Pacific”. Nicholas Thomas, in Cook’s Sites

Mark Adams travels to the places where Cook landed in the South Pacific, instilling a haunting sense of presence to these sites, Adams photographically commemorates the instant of encounter, defining it as a moment of discovery, violence and mutual reciprocity. For this series Mark also focuses on key historic sites illustrated by painters William Hodges and John Webber who accompanied Cook on his voyages. His portrayal allows us to look out from these paintings and reassess the history of these culturally loaded locations. As Adams has often said, he likes to invert the colonial gaze, highlighting the complications of representation.

Mark Adams' Land of Memories series is also concerned with the layers of meaning inscribed into the landscape by our culture. Taken with signature long exposures, they appear painterly and ghostly, emphasising the temporal nature of the images and the fluidity of meaning associated with these places.

His works have been shown at in the Auckland City Gallery, Te Papa-Museum of New Zealand, The Brisbane Museum, The Adam Gallery Wellington, Sydney Museum, Zelda Cheatle Gallery London, The National Library Canberra, Sao Paolo Biennale 1997 and many other major museums.

Mark Adams Featured Artworks

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19.2.1997. Mangungu Wesleyan Mission Hokianga. Treat Site Series. by Mark Adams contemporary artwork
Mark Adams19.2.1997. Mangungu Wesleyan Mission Hokianga. Treat Site Series., c. 1997Silver bromide photograph
20 x 24 inches
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28.11.1995. Johann Reinhold Forster collection, Pitt Rivers Museum, Oxford by Mark Adams contemporary artwork
Mark Adams28.11.1995. Johann Reinhold Forster collection, Pitt Rivers Museum, Oxford, 2015silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 2 prints,
60 x 51 cm
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25.5.1995. Astronomers Point. Totara stumps and regenerating forest. Tamatea-Dusky Sound. After Russell Duncan by Mark Adams contemporary artwork
Mark Adams25.5.1995. Astronomers Point. Totara stumps and regenerating forest. Tamatea-Dusky Sound. After Russell Duncan, 2017silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
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19.5.1995. Northeast Point, Indian Island; Site of first contact. Tamatea- Dusky Sound by Mark Adams contemporary artwork
Mark Adams19.5.1995. Northeast Point, Indian Island; Site of first contact. Tamatea- Dusky Sound, 2017silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
Two Rooms Enquire about this work
12.12.1995. Motuara Island. Totaranui-Queen Charlotte Sound. After Russell Duncan by Mark Adams contemporary artwork
Mark Adams12.12.1995. Motuara Island. Totaranui-Queen Charlotte Sound. After Russell Duncan, 2017silver bromide hand print enlarged from 10 x 8 inch Kodak TMX400 negatives,
60 x 51 cm
Two Rooms Enquire about this work
19. 7. 2005. At Tokatoka, Northern Wairoa River by Mark Adams contemporary artwork
Mark Adams19. 7. 2005. At Tokatoka, Northern Wairoa River, 2005Analogue fibre-based gold-toned silver bromide prints
20 x 24 inches
Page Galleries Enquire about this work
 19.5.1989. Te Ana o Hineraki-Moa Bone Cave, Opawaho-Otakaroro estuary, Redcliffs, Christchurch, by Mark Adams contemporary artwork
Mark Adams 19.5.1989. Te Ana o Hineraki-Moa Bone Cave, Opawaho-Otakaroro estuary, Redcliffs, Christchurch,, 2006Analogue fibre-based gold-toned silver bromide prints
20 x 24 inches
Page Galleries Enquire about this work

Mark Adams Recent Exhibitions

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Contemporary art exhibition, Mark Adams, Areta Wilkinson, Repatriation at Two Rooms, Auckland
Closed
20 September–20 October 2018 Mark Adams, Areta Wilkinson Repatriation Two Rooms, Auckland
Contemporary art exhibition, Group Exhibition, Landscape 2017 at Page Galleries, Wellington
Closed
6–31 July 2017 Group Exhibition Landscape 2017 Page Galleries, Wellington
Contemporary art exhibition, Mark Adams, Views from Astronomer's Point at Two Rooms, Auckland
Closed
2 June–8 July 2017 Mark Adams Views from Astronomer's Point Two Rooms, Auckland

Mark Adams Represented By

Mark Adams In Related Press

The surprising links between Brexit and Oceania art exhibition Related Press The surprising links between Brexit and Oceania art exhibition 20 October 2018, New Zealand Herald

The Telegraph described it as an "ambitious and astonishing exhibition" while Guardian art critic Jonathan Jones declared he didn't just like the art but wanted to live in the world it portrays. He also speculated that modernist masters like Picasso were more influenced by Oceanic art than we might have previously realised. The...

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