Martin Spengler creates large-format picture reliefs that often extend well into the room and play with the actual reproduction of recognisable structures, such as grids and ornaments, on the one hand, and with the total dissolution of the image on the other hand. He expresses the thought that is most important to him: “I’m concerned with structures that reflect a particular social occurrence or architectonic functions. Be it a Mexican wave or a motorway junction or a cathedral – the external structure leads me to contemplate what lies behind it.” On the basis of a preliminary sketch, the artist slowly develops his pictorial idea through the activity of carving. Spengler is not concerned with creating a faithful representation in any of his works. Instead he wants to understand the work itself as a product of his epistemological achievement and thereby convey an intellectual added value. Spengler was born in Cologne in 1974 and studied with Prof. Karin Kneffel, first in Bremen, later as master student in her class in Munich.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services