RICHARD ALDRICH

This sense of openness is not only pictorial, but structural. Aldrich treats painting as a space of ongoing negotiation, where decisions are revised, interrupted, or left unresolved. His canvases rarely settle into a single intention; passages are reworked, layered, or undone, often within the same surface. At times, he cuts into the canvas, exposing what lies beneath and folding process back into the image itself. What emerges is less a fixed composition than a record of decisions, giving the work a soft elasticity, as if it could continue beyond its edges. Rather than seeking closure, the paintings unfold slowly and reward sustained attention. They are not meant to be decoded, but to be spent time with—shifting the focus away from what a painting presents toward how it comes into being, and how we come to recognise it.

Richard Aldrich (b. 1975, Hampton, VA, USA) lives and works in New York, NY. His work has been the subject of solo exhibitions at Fondazione Giuliani, Rome (2022); Museum Dhondt-Dhaenens, Deurle (2016); San Francisco Museum of Modern Art (2011); and the Contemporary Art Museum St. Louis (2011). He has participated in recent group exhibitions at the Museum of Contemporary Art Busan (2022); the National Museum of Art, Osaka (2019); A.shti Foundation, Beirut (2018); and the Wexner Center for the Arts, Columbus (2018). Aldrich’s works are held in collections including MoMA, New York; the Smithsonian American Art Museum, Washington, D.C.; San Francisco Museum of Modern Art; the Dallas Museum of Art; the ICA Miami; the Whitworth Art Gallery, University of Manchester; the Whitney Museum of American Art, New York; and the National Museum of Art, Osaka, Japan.

Courtesy Xavier Hufkens