Kwan Sheung Chi was born in Hong Kong. He obtained a degree in fine art from The Chinese University of Hong Kong in 2003. In 2002 Kwan Sheung Chi Touring Series Exhibitions, Hong Kong was toured to 10 major exhibition venues in Hong Kong and the Hong Kong Art Centre presented, A Retrospective of Kwan Sheung Chi. In 2003, he set up a studio in the Fotan industrial district, and since then has been an active member of the “Fotanian” artists’ studios complex. On 1st January 2008, he determined not to sell any of his artworks for 3 years. However, he broke his pledge and the statement was auctioned during his solo show No matter. Try again. Fail again. on 15th October 2009. In addition to his studio practice, he co-founded the Hong Kong Arts Discovery Channel (HKADC) in February 2009, a web-based channel that aims at promoting critical discourse through interviews with artists, curators, critics and the audiences. He is also a founding member of local art groups, hkPARTg (Political Art Group) and Woofer Ten, which both experiment practicing of art in relation to local politics, social issues and the communities. In 2009, he was awarded the Starr Foundation Fellowship from the Asian Cultural Council, to take part in an international residency program in New York, USA.
Amnesty International’s 'Carnival' exhibition aims to makes the invisible visible, drawing attention to issues and truths ignored or overlooked, drawing attention to the disjuncture between politics and reality.
The opening reception of the latest exhibition at the Simon Lee Gallery was packed with familiar faces from the Hong Kong art world. Artists Chow Chun-fai, Ko Sin-tung, Nadim Abbas and David Boyce were there to support Lui Chun-kwong, Kwan Sheung-chi and other friends participating in the group show. Tobias Berger, of Tai Kwun, a diligent...
Social Fabric: New Work by Mariana Hahn and Kwan Sheung Chi runs at MILL6 Foundation‘s pop-up space at The Annex in Hong Kong until 23 April 2016. Curated by internationally renowned curator David Elliott, the exhibition presents intriguing new works by two young artists who respond in different ways to the history, culture and current...
Swiss collector Uli Sigg’s personal collection of Chinese art – mostly contemporary works made since the 1970s – has become less and less private. This is perhaps inevitable, as Sigg has made it his business to collect works that now provide a significant historical narrative of Chinese art of over the past four decades. A...