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Simon Starling Artworks

Hand of the Artist’s Father, Hand of the Artist, Hand of the Artist’s Son by Simon Starling contemporary artwork photography

Simon Starling Hand of the Artist’s Father, Hand of the Artist, Hand of the Artist’s Son, 2019 Set of 3 daguerreotypes on silver-plated copper
22 x 19 cm The Modern Institute Request Price & Availability

Mossed Moore (Reclining Woman, 1930) by Simon Starling contemporary artwork photography, print

Simon Starling Mossed Moore (Reclining Woman, 1930), 2009–2020 L. E. silver print
35.1 x 27.3 cm The Modern Institute Request Price & Availability

A Zig-Zag Chair designed by Gerrit Rietveld in 1934 and reproduced using 45,910 year-old swamp kauri wood in 2015 by Simon Starling contemporary artwork sculpture

Simon Starling A Zig-Zag Chair designed by Gerrit Rietveld in 1934 and reproduced using 45,910 year-old swamp kauri wood in 2015, 2015 Swamp kauri wood
74.5 x 43 x 33 cm The Modern Institute Request Price & Availability

Pictures for an Exhibition by Simon Starling contemporary artwork photography

Simon Starling Pictures for an Exhibition, 2013–2014 36 framed gelatin silver prints; 2 modified Deardorff 8 x 10 Field cameras, film holders, tripods, photographs
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Pedigree English Greyhounds, Valldemossa dell’Attimo Fuggente (Vera) and Kollaps Livets Dans (Victor) photographed at Four Studios, Mirafiori Car Plant, Turin by Simon Starling contemporary artwork photography

Simon Starling Pedigree English Greyhounds, Valldemossa dell’Attimo Fuggente (Vera) and Kollaps Livets Dans (Victor) photographed at Four Studios, Mirafiori Car Plant, Turin, 2019 Silver gelatin type LE/Selenium toned print
107 x 132 x 4.5 cm The Modern Institute Request Price & Availability

A-A', B-B' (Posters) by Simon Starling contemporary artwork print

Simon Starling A-A', B-B' (Posters), 2019 In collaboration with NORM and Lézard Graphique. Four colour silkscreen print
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A-A', B-B'Giovanni Battista Tiepolo, 'A Halberdier in a Landscape', 1736–38 (Formerly the right-hand portion of 'The Finding of Moses') Collection Pinacoteca Giovanni e Marella Agnelli, Turin Fiat 125 Special, 1968 / Cutaway View (Front Section) by Simon Starling contemporary artwork installation

Simon Starling A-A', B-B' Giovanni Battista Tiepolo, 'A Halberdier in a Landscape', 1736–38 (Formerly the right-hand portion of 'The Finding of Moses') Collection Pinacoteca Giovanni e Marella Agnelli, Turin Fiat 125 Special, 1968 / Cutaway View (Front Section), 2019 1:1 scale archival pigment print, perspex, Fiat 125 Special
The Modern Institute Request Price & Availability

Pedigree English Greyhound, Valldemossa dell’Attimo Fuggente (Vera) photographed at Four Studios, Mirafiori Car Plant, Turin by Simon Starling contemporary artwork print

Simon Starling Pedigree English Greyhound, Valldemossa dell’Attimo Fuggente (Vera) photographed at Four Studios, Mirafiori Car Plant, Turin, 2019 Silver gelatin type LE/Selenium toned print
107 x 132 x 4.5 cm The Modern Institute Request Price & Availability

Manual Transmission by Simon Starling contemporary artwork installation

Simon Starling Manual Transmission, 2019 Willow basket, silkscreen print, handmade lightbulb
The Modern Institute Request Price & Availability

Clutching an imaginary halberd in his right hand and wearing a mask by the master mask maker Yasuo Miichi based on the halberdier from Giovanni Battista Tiepolo’s painting A Halberdier in a Landscape (1736–38), the artist looks east by Simon Starling contemporary artwork installation

Simon Starling Clutching an imaginary halberd in his right hand and wearing a mask by the master mask maker Yasuo Miichi based on the halberdier from Giovanni Battista Tiepolo’s painting A Halberdier in a Landscape (1736–38), the artist looks east, 2019 Wood, gesso, paint, horsehair, leather, Jesmonite, steel, iron filings
177 x 60 x 62 cm The Modern Institute Request Price & Availability

The artist, wearing a mask of the former Fiat supremo Giovanni Agnelli, reads an aside from Dario Fo’s political satire Trumpets and Raspberries (1974) in which a disfigured Agnelli has his face reconstructed in the image of a Fiat worker in whose jacket he is found, following a near-fatal kidnapping attempt by Simon Starling contemporary artwork sculpture

Simon Starling The artist, wearing a mask of the former Fiat supremo Giovanni Agnelli, reads an aside from Dario Fo’s political satire Trumpets and Raspberries (1974) in which a disfigured Agnelli has his face reconstructed in the image of a Fiat worker in whose jacket he is found, following a near-fatal kidnapping attempt, 2019 Wood, gesso, paint, horsehair, leather, Jesmonite, steel, paper
175 x 58 x 35 cm The Modern Institute Request Price & Availability

Hand of the Artist’s Father, Hand of the Artist, Hand of the Artist’s Son by Simon Starling contemporary artwork photography

Simon Starling Hand of the Artist’s Father, Hand of the Artist, Hand of the Artist’s Son, 2019 Daguerreotype on silver-plated copper
57.3 x 50.8 cm The Modern Institute Request Price & Availability

Project for a Masquerade (Hiroshima): The Mirror Room by Simon Starling contemporary artwork installation

Simon Starling Project for a Masquerade (Hiroshima): The Mirror Room, 2010 The Modern Institute Request Price & Availability

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