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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Mandy El-Sayegh: Productive Ambiguity Ocula Conversation Mandy El-Sayegh: Productive Ambiguity

Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Tim Rollins and K.O.S.

(1955 - 2017), USA

Browse Artworks

Invisible Man (after Ralph Ellison) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.Invisible Man (after Ralph Ellison), 2014 Matte acrylic and pencil on book pages on wood panel
91.4 x 91.4 cm
Lehmann Maupin
Amerika - For Karl by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.Amerika - For Karl, 1989 Watercolour on paper mounted on canvas
246.4 x 335.3 cm
Lehmann Maupin
By any means necessary - Trapped/Caught by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.By any means necessary - Trapped/Caught, 1985–1987 Black gesso on book pages mounted on linen
53.3 x 71.1 x 3.5 cm
Lehmann Maupin
On the Origin of Species - Instinct (after Darwin) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.On the Origin of Species - Instinct (after Darwin), 2015 Ink and matte acrylic on book pages mounted on canvas
152.4 x 213.4 x 3.8 cm
Lehmann Maupin
Pinocchio (after Carlo Collodi) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.Pinocchio (after Carlo Collodi), 1991 Wood, plastic, wax, tung oil
109.2 x 15.2 x 15.2 cm
Lehmann Maupin
I see the promised land (after the Rev. Dr. M. L. King, Jr.) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.I see the promised land (after the Rev. Dr. M. L. King, Jr.), 2008 Matte acrylic and book pages on canvas
274.3 x 182.9 cm
Lehmann Maupin
Amerika the Stoker by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.Amerika the Stoker, 1993 Acrylic on book pages on linen
167.6 x 231.1 cm
Lehmann Maupin
The Red Badge of Courage by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.The Red Badge of Courage, 1990 Acrylic on book pages on linen
121.9 x 182.9 cm
Lehmann Maupin
ANIMAL FARM - PUTIN (after Orwell) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.ANIMAL FARM - PUTIN (after Orwell), 2017 Acrylic and watercolour on book pages on linen
66 x 50.8 cm
Maureen Paley
On the Origin of Species – Variation I (after Darwin) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.On the Origin of Species – Variation I (after Darwin), 2013 Ink, matte acrylic, book pages on canvas
182.9 x 366.5 x 4 cm
Xavier Hufkens
Darkwater VI (after W.E.B. Du Bois) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.Darkwater VI (after W.E.B. Du Bois), 2016 Furnace black pigment, gold acrylic, and archival varnish on first edition (1920) book pages mounted on museum panels 72 elements. Dimensions for each
17.8 x 12.7 cm
Lehmann Maupin
A Midsummer Night's Dream (after Shakespeare and Mendelssohn) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.A Midsummer Night's Dream (after Shakespeare and Mendelssohn), 2015 Watercolour, ink, mulberry paper, collage and mustard seed on music score on wood panel
30.5 x 22.9 cm
Maureen Paley
INVISIBLE MAN (after Ralph Ellison) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.INVISIBLE MAN (after Ralph Ellison), 2015 Matte acrylic and pencil on book pages on canvas
91.4 x 91.4 cm
Xavier Hufkens
The Time Machine XI (after H.G. Wells) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.The Time Machine XI (after H.G. Wells) Matte acrylic, pencil, book pages on canvas
182.9 x 182.9 x 4 cm
Xavier Hufkens
A MIDSUMMER NIGHT'S DREAM (after Shakespeare and Mendelssohn) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.A MIDSUMMER NIGHT'S DREAM (after Shakespeare and Mendelssohn), 2013 Ink, mustard seed, , glue, gesso, apple juice, mulberry paper, music score pages on canvas
152.4 x 182.9 cm
Maureen Paley
THE TIME MACHINE II (after H.G. Wells) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.THE TIME MACHINE II (after H.G. Wells), 2013 Acrylic, pencil, glue, book pages on canvas panel
61 x 61 cm
Maureen Paley
THE SEVEN LAST WORDS OF CHRIST - TERREMOTO II (after Hadyn) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.THE SEVEN LAST WORDS OF CHRIST - TERREMOTO II (after Hadyn), 2013 Acrylic, glue, music score pages on 7 panel
Variable dimensions
Maureen Paley
A Midsummer Night's Dream (after Shakespeare and Mendelssohn) by Tim Rollins and K.O.S. contemporary artwork
Tim Rollins and K.O.S.A Midsummer Night's Dream (after Shakespeare and Mendelssohn), 2014 Watercolor, ink, acrylic, fruit juices, Thai mulberry paper, collage, mustard seed, music score page
121.9 x 182.9 cm
Lehmann Maupin
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