MARIANNA SIMNETT

WINNER echoes the dramaturgy of the game and dissects its socially constructed power hierarchies, crowd psychology, and constant pressure to perform. Through the element of dance, the work restages and radically transforms football’s most impassioned moments: elation and triumph, brutality and ferocity, suffering and defeat.

Set on a football pitch, the film is adapted from the 1954 short story The Destructors by Graham Greene. An extraordinary group of dancers morphs between hooligans and footballers. The plot pivots around the group’s destruction of a magical-realist house of cards, owned by a former referee whose decisions are paramount to the winning and losing of a game. Presiding over the action and chanting from the stands are a chorus of baby Ultra fans, voiced by the American singer and performer Lydia Lunch.

Simnett’s vivid hallucinatory world extends beyond the screen into the exhibition space, subverting the architecture of football and transporting it into the museum. Upon entering a long tunnel, alluding to the womb-like passage that footballers run through before beginning the game, viewers will be met with a choreography of images which travel around the room, interrupted by melancholic songs about winning.