SIOBHÁN HAPASKA

In The man with a stone in his stomach inverts sunflowers. a lone figure stands on a makeshift plinth. Their core is hollowed out and filled with a stone, the identity is obscured or they are without one. The darkened skeletal framework is a precarious one, simultaneously devotional and exhausted, its offering of inverted blue sunflowers are denied their upright sunny, optimistic disposition.

There is a heavy stone, a weight of nothingness at its core.

Surrounding the central figure is a new series of wall-mounted sculptures meticulously constructed from twisted concrete cloth with resin and Jesmonite. Concrete cloth — a material associated with reinforcement and containment — is manipulated by Hapaska into forms that appear bodily. Each work has its own glass like forms escaping from the folds or growing on its surface, some red, like enlarged blood platelets, others black, each a dark lens into another infinite universe.

A parallel series of photographic prints captures the artist’s breath in a cold, darkened studio. Barely visible and transient, the images register breath as condensation and disappearance simultaneously — a minimal but insistent index of bodily presence.

The work in this exhibition continues to refine Hapaska’s longstanding engagement with material instability, disorientation and our contemporary psychic dislocation. In one particular work Article 1 UDHR, Hapaska represents the very best of human intentions, the foundational principles of dignity, liberty, and equality spelt out in shells that are eroding, on course to disappear. At the centre of each a void.

Hapaska’s solo exhibitions include Douglas Hyde Gallery, Dublin; Kunstmuseum St Gallen, Switzerland; John Hansard Gallery, University of Southampton; Magasin 3 Stockholm Konsthall; Museum Boijmans Van Beuingan, Rotterdam; the Barbican, Camden Arts Centre; ICA, London. Collections include Hirshhorn, Washington; MIT, Cambridge; Museum of Fine Arts, Boston; Museum of Contemporary Art, Chicago; Tate, London; Irish Museum of Modern Art, Dublin; The National Gallery of Ireland; Arts Council of Ireland; Arts Council of Northern Ireland; Ulster Museum, Belfast; Kunstmuseum St.Gallen; Magasin III, Stockholm Konsthall; Moderna Museet, Stockholm; Museum Boijmans Van Beuningen, Rotterdam; Museum of Contemporary Art, Shenzhen, China and LOEWE. She has participated in major international exhibitions including Documenta X, the British Art Show, Glasgow International, and the 49th and 56th Venice Biennales.

Courtesy Kerlin Gallery.