
Marking the first time the work is displayed in Hong Kong, Primitive (2009) by Thai artist and filmmaker Apichatpong Weerasethakul (b. 1970) is a multi-channel video installation that also incorporates two other short films and an artist’s book. It represents a pivotal moment in the artist’s career when the bridging of visual art, moving image, and cinema became a defining aspect of his practice. A visionary of our contemporary condition, Weerasethakul is known for his experiments with non-narrative structures and states of possibility. Elements of Primitive also came to form Weerasethakul’s feature film Uncle Boonmee Who Can Recall His Past Lives (2010), which won the Palme d’Or at the Cannes Film Festival.
Shot in Nabua in northeastern Thailand, Primitive follows the activities of teenagers and observes their conversations, songs, and dreams. Woven into tender portraits and evocations of violence are enigmatic motifs of light, apparitions, and otherworldly journeys. With these components, Weerasethakul destabilises conventional notions of time and deepens the connective spaces between reality and imagination. Grounded in local and personal histories, Primitive imbues these accounts with a universal, mystical resonance.
The winner of 2010 Palme d’Or, Apichatpong ‘Joe’ Weerasethakul is an internationally renowned Thai independent filmmaker and artist. He currently lives and works in Chiang Mai, a hub of folk art and crafts in Thailand. Born in 1970 in a Thai-Chinese middle-class family, Weerasethakul grew up in Khon Kaen, Isaan, a city in Northeast Thailand that is one of the most impoverished regions and a melting pot of Vietnamese and Cambodian cultures, where his parents practiced medicine.





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