Comparing his practice to archeology, Shiokava excavated the spiritual potential and, in his words, “inner movement” of found materials, drawing inspiration from Japanese woodcarving, Afro-Brazilian religious rituals, and concepts of embodied rhythm. The show is anchored by a wide selection of large totems—described by the artist as “urban totems” and “shaman staffs”—which were meticulously carved from discarded pieces of wood. The exhibition also features Shiokava’s box installations, in which miniature vignettes unfold featuring toy figurines, plastic fruits, and natural materials such as stones and leaves. The show will provide broader context for Shiokava’s practice through dynamic displays of his wood carving tools, archival footage of him working in his studio in Compton, and ephemera that document his exhibitions throughout California and Japan. Kenzi Shiokava will trace the artist’s diasporic experience and artistic practice, examining his unique capacity to imbue the most mundane materials with poetry and life, while also considering the ways in which his story complicates the categories of Asian American, Black, and Latino art histories.

The exhibition will be accompanied by a catalogue, which will be the first publication dedicated to Shiokava’s practice. The catalogue will feature an introduction by organizing curator Nolan Jimbo and essays by Naima J. Keith, Senior Vice President of Education, Public Programs, and Regional Partnerships at the Los Angeles County Museum of Art (LACMA); Aram Moshayedi, independent curator and former Robert Soros Senior Curator at the Hammer Museum; and Michiko Okano, Associate Professor of Asian Art History at the Federal University of São Paulo.