Press Release

1301PE is pleased to announce its fourth solo exhibition with acclaimed British artist Fiona Banner. Ranging from her ʻwordscapesʼ to found and transformed military objects, Bannerʼs work is known for exploring the limitations and possibilities of language and its cultural parameters.

In a homage to Orson Welles failed attempt at his first movie, “Heart of Darkness,” Banner constructs an exhibition that articulates manʼs hubris. Welles wrote the script Heart of Darkness, based on Joseph Conradʼs 1890s novella, in the late 1930s.

_“Like the original novel, Wellesʼ script for Heart of Darkness is a parody of power gone bad - but it is also a narrative of seduction, a lens as well as a mirror. Welles film was never made because it was considered too expensive, and too uncompromising artistically, and also because its narrative parallels with the rise of fascism in Europe. Today other parallels are drawn.” _- Fiona Banner

Banner reveals the intricacies of narrative as she combines the visual and the written. She presents graphite drawings based upon specially commissioned movie posters, as well as a large wall drawing, and sculptures that convey human desire and constraint.

Unboxing, The Greatest Film Never Made exposes how humans reference themselves; wild with the dualities of ambition and restraint. With this exhibition Banner has redefined a story of the past by uncovering its relevance to the modern self.

Fiona Banner was born in 1966. She lives and works in London, where she also runs The Vanity Press. Banner is represented in major collections in the US and abroad including The Museum of Modern Art, New York; Philadelphia Museum; Walker Art Gallery, Minneapolis. In 2002, Banner was short-listed for the Turner Prize at Tate Britain. One-person museum exhibitions and projects include; 2010, The Duveen Galleries Commission, Tate Britain; 2007, “The Bastard Word” The Power Plant, Toronto, Canada. Selected group exhibitions include; 2011, “I Am Still Alive: Politics and Everyday Life in Contemporary Drawing”, MoMA, New York; 2002,“Remix: Contemporary Art and Pop”, Tate Liverpool. Banner has recently collaborated with architect David Kohn on the Roi des Belges, a temporary building inspired by the boat Conrad piloted up the Congo, situated on the roof of the Queen Elizabeth Hall in London. Banner will present Wellesʼ screenplay performed for the first time ever, live to camera, on the Roi des Belges on March 31st as part of Artangelʼs year- long program at www.aroomforlondon.co.uk.

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About the Artist

Fiona Banner (b. 1966, Liverpool, UK) is an English artist, who was shortlisted for the Turner Prize in 2002. Much of Banner’s artistic practice illuminates the limitations and possibilities of language and its cultural parameters, investigating the slippage between object, image and text. Her multi-disciplinary practice encompasses drawing, film, sculpture, installation, as well as publishing and performance. Upon graduating from Goldsmiths College of Art in London in 1993, Banner came to prominence in the 1990s with her ‘wordscapes’, written transcriptions of iconic Hollywood war films retold frame-by-frame in the artist’s own stream-of-consciousness writing. The 1,000 page book The NAM (1997), for example, describes the plots of six Vietnam films in their entirety. As Banner has stated, “…a lot of my earlier work is about how things are expressed or can become manifest through words – how you can visualise passages of time through language.” Banner has long-standing fascination with the emblem of fighter aircraft and their role within culture, which has resulted, amongst others, in her monumental Harrier & Jaguar installation at the Tate Britain in 2010. Banner’s longstanding interest in Hollywood films, conflict and language has more recently led to set of interrelated bodies of work that investigate Joseph Conrad’s Heart of Darkness and its various iterations. Banner lives and works in London, where she runs her imprint The Vanity Press. Banner is represented in major collections including The Museum of Modern Art, New York; Philadelphia Museum; Walker Art Gallery, Minneapolis. Her work has been the subject of solo exhibitions and commissions at Tate Britain, London; Whitechapel Gallery, London; The Power Plant, Toronto; Yorkshire Sculpture Park, Wakefield; IKON, Birmingham and the DuPont, Tilburg, Netherlands.

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About the Gallery

Founded by Brian Butler in 1992, 1301PE is a contemporary art gallery exhibiting significant Los Angeles based artists as well as internationally established and acclaimed artists. The gallery is known for its exhibition of significant work across mediums. Founded on the principle of promoting Los Angeles artists worldwide, the gallery has been located at its current location in Miracle Mile, Los Angeles since 1998.

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