
Gallery Baton presents POSTFOREST, Yuichi Hirako’s third solo exhibition with the gallery. Working across painting, sculpture, and installation, Hirako has developed a distinctive visual language centered on hybrid forms drawn from nature. Known internationally for his ecological imagination and message of coexistence, he presents new paintings and sculptures that reimagine the forest as both a natural realm and a layered site where narrative, community, and anonymity intersect. Hirako grew up surrounded by nature in Okayama Prefecture, Japan. While studying in London, he noticed that urban green spaces, street trees, and indoor plants were largely created for human rest and emotional comfort, and that these plants could not grow in the way they were created to grow. How contemporary society turns nature into an object, rather than allowing it to exist on its own terms, became the question that runs through his work.
This view of nature as an independent being living alongside humans, rather than beneath them, resonates with the philosophy of deep ecology. Rather than directly denouncing environmental damage, Hirako has expressed this conviction consistently through the formal language of painting and sculpture. At the center of his work is a story of human-like figures living unhurried, everyday lives alongside other living beings in a forest on the far side of the world. Dogs, cats, and plants appear like supporting characters in an animated feature: they set the scene, give the story its rhythm, and branch the narrative into smaller stories. In Tree, Forest, Mountain, a large-scale installation first shown in his 2025 solo exhibition ORIGIN at the Okayama Prefectural Museum of Art and presented again at Art Basel Unlimited in 2026, Hirako filled a circular platform with hybrid sculptures to form a clustered landscape. Arranged in a ring, the sculptures faced the viewer at the center, not as an anonymous natural backdrop but as beings on equal footing with humans. By bringing people face to face with the nature hey have long put to use, the work restores a horizontal relationship between the two.
In POSTFOREST, Hirako extends this relationship into the vertical, presenting suspended sculpture for the first time. Occupying one section of the gallery from floor to ceiling, the work departs from his earlier floor-based clusters, dispersing sculptures of different sizes and forms into the air. Rather than facing the work from a fixed point, visitors walk among the floating forms. Much like moving through a forest, the experience turns the gallery into a space attuned to the body.
The exhibition title reflects the artist’s view of history: just as the ways humans see and define nature have changed fundamentally over the past century, the relationship between humans and nature will continue to be reshaped. Hirako embraces this change not as rupture or loss but as a natural transition, and has developed his work with the relationships yet to come in mind. The exhibition invites viewers to reflect on where humans and nature stand today, and to imagine the coexistence ahead.

Yuichi Hirako’s practice deals with significant issues related to human and nature, environment and coexistence with his own styles full of metaphors and symbols through his authentic hybrid-figurations by encompassing paintings, sculptures, and installations. Hirako’s work reflects his connection to the perspective of Deep ecology, which views all organisms as one unified whole concept, and explores the prospect of artwork as a medium for manifesting an artist’s unique sentiments instead of simply displaying an aesthetic value.

Since its founding in 2011, Gallery Baton has gained international recognition as a leading contemporary art gallery in Korea. Distinguishing itself with a dynamic and refined program, Baton consistently strives for an in-depth understanding of current paradigms within the complex and ever-changing landscape of contemporary art.
A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services
