
1301PE is pleased to present Italian artist, Liliana Moro in her first solo U.S. exhibition. At 1301PE, Moro will present Un Mondo Senza Testa / A World With No Head. In this work, she juxtaposes scale and introduces elements in a bizarre setting, which take the viewer’s gaze away from the ordinary and back to the fairy tales of childhood. Moro comments on adult society by filtering its complications through the iconography of a child. By altering the viewpoint of her work, the viewer is not allowed to remain neutral, but made to stall and change their perspective. This is not to create a world of escapism or comfort but rather to look at these pieces in reality, lacking the innocence and naivete of a child.
LILIANA MORO was born in Milan in 1961, where she lives and works.
One-person museum exhibitions and projects include Art Unlimited, Art 31 Basel in 2000; Centre d’Art Contemporain La Ferme Du Buisson, Noisiel, Paris in 1999; Voyager (con Eva Marisaldi e Grazia Toderi), Palazzo delle Papesse, Siena, Costumi, Hyperion Circolo Culturale, Torino, Un Mondo nella Testa, Museo Civico della Città di Rovigno, Galleria S. Tommaso, Croazia in 1998; MUHKA, Antwerpen in 1996; Migrateurs, curated by H.U. Obrist, ARC, Paris in 1993; Abbassamento, Spazio di Via Lazzaro Palazzi, Milano in 1992; Spazio di via Lazzaro Palazzi, Milano in 1990.
Selected group exhibitions include Kids are us, i bambini siamo noi, Galleria Civica di Arte Contemporanea, Trento, curated by M. Sciaccaluga in 2003; Vis a vis: autoritrarsi d’artista, MAN, Nuoro, curated by S. Cincinelli,Verso il futuro. Identita nell’arte italiana 1990 / 2002, Museo del Corso, Roma, curated by L. Pratesi e C. D’Orazio and L’arte del gioco. Da Klee a Boetti, Museo Archeologico Regionale di Aosta, curated by P. Bellasi, A. Fiz e T. Sparagni in 2002; Cuerpo y Pecado, Comunication entre las artes, I Bienal di Valencia, Valencia, Spain, curated by A. Bonito Oliva, andThe Fact Show: Conceptual Art Today, Centre for Arts, Pittsburgh in 2001; Migrazioni, (Premio per la Giovane Arte Italiana), Centro per le Arti Contemporanee, Ex-Caserma Montello, Roma and Hops! Festival di visual e performing arts, Link, Bologna, curated by L. Vitone in 2000; P.S. 1, New York, curated by A. Bonito Oliva, Video in Italia, 1990 / 1999, Palazzo delle Papesse, Siena, curated by E. Volpato, Get Together, Kunsthalle Wien, Wien, Austria, curated by M. Piffer-Damiani, Not I, Het Consortium, Amsterdam, Holland,Titles for Drawings, AC Project Room, New York, USA,Cote Sud ... Entschuldigung, Centre d’Art Contemporain La Ferme du Buisson, Noisiel Paris, France. Identita femminile nel video italiano, Accademia Britannica, Roma, curated by C. Perrella e M.R. Sossai in 1999; Fatto in Italia, Centre d’Art Contemporain de Geneve, Made in Italy, ICA, London, Art Architecture, Colletion du FRAC Centre, Orleans in 1997; Ultime Generazioni, XII Quadriennale Nazionale d’Arte di Roma, Abstrakt / Real, curated by L. Hegyi, Museum Moderner Kunst Stiftung, Ludwig, Vienna, and Partito Preso 1995-1996, Galleria Nazionale d’Arte Moderna e Contemporanea, Roma in 1996; La Collezione, Museo d’Arte Contemporanea Castello di Rivoli, Torino and 6 Triennale Kleinplastik ‘95 Europa-Ostasien, Sudwest LB Forum, Stuttgart in 1995; Aperto ‘93, XLV Biennale di Venezia, con Bernard Rudiger, Venezia in 1993; Entre chien et loup, Magasin, Centre National d’Art Contemporain, Grenoble and Documenta IX, Kassel in 1992.





Founded by Brian Butler in 1992, 1301PE is a contemporary art gallery exhibiting significant Los Angeles based artists as well as internationally established and acclaimed artists. The gallery is known for its exhibition of significant work across mediums. Founded on the principle of promoting Los Angeles artists worldwide, the gallery has been located at its current location in Miracle Mile, Los Angeles since 1998.

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