Press Release

ARARIO GALLERY Seoul presents Nalini MALANI‘s solo exhibition My Reality is Different from 1 September to 21 October 2023. Internationally acclaimed artist Nalini MALANI (b. 1946) is a pioneer of video art and one of India’s most important female contemporary artists. MALANI has for the past 50 years carried out experimental and innovative works using various medium from painting, drawing, video, film, animation and installation. MALANI’s works incorporate various themes and characters from literature, philosophy and history, confronting issues on inequality, violence and social oppression with a focus on giving a voice to women. ARARIO GALLERY Seoul will present her most recent and new video, animation, painting and drawing installation on all levels of the gallery space.

Level B1 will present MALANI’s new version of Wall Drawing/Erasure Performance series ‘City of Desires’. These Wall Drawing/Erasure Performances have been carried out by MALANI since 1992, and consist of mural drawings exploring themes of memory, remembrance, forgetting, shared traditions and experiences. Recently it has been presented at her solo exhibition at The Montreal Museum of Fine Arts, Canada (2023). The process involves a participation of local female artists working in collaboration with MALANI through a specific ongoing mural drawing process, and for the newly executed work at ARARIO GALLERY Seoul, it will be conducted with five local Korean female artists including SIM Raejung and LEE Yejoo. By the end of the exhibition there will also be an erasure performance directed by MALANI.

Level 1 will present one of the most important recent video installation work by MALANI, titled My Reality is Different. This work was presented in the National Gallery London, UK, in 2022, when MALANI was selected and awarded the 2020 National Gallery Contemporary Fellowship with Art Fund. The first level gallery space and walls will be filled with over-lapping 9 video projections, showing 34 new i-pad animations in continuous loop with sound. The animations show famous paintings of the National Gallery London’s collection, selected by MALANI and are re-interpreted and transformed by her hand-drawn i-pad animations. MALANI’s created animation images interact and move on these famous classical paintings dynamically covering and erasing the background. The video work includes sound, a narration that consists of the female prophetess Cassandra’s story on the fall of the ancient city Troy.

Level 3 will present MALANI’s new and rare work of a set of 7 large multi-panel reverse paintings Ballad of a Woman. It will be the 4th multi-panel painting by MALANI since 7 years ago. MALANI’s first set of large multi-panel reverse paintings were shown at Venice Biennale in 2007, the second at Kiran Nadar Museum, New Delhi, India(2015) and third at Centre Pompidou, Paris, France (2017). The work is inspired from the Polish poet Wisława Szymborska’s poem ‘Ballad’, from 1962, which tells the story of a woman who is murdered. A video work of the same theme will be exhibited on level 4 of the gallery space. Ballad of aWoman shows MALANI’s famous type of hand-drawn i-pad animations, with colourful bold colours and active movement. The animations show the woman’s after-life, protecting her murderer. By showing such an act MALANI addressed the issues of self-sacrifice and suffering that women have carried out in life. The story that unfolds is dark, hidden and covered by the bright drawing lines. This recent video work was first shown at the façade of The MontrealMuseum of Fine Arts, Canada this year, as a commission work for the MMFA’s Digital Canvas.

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About the Artist

Nalini Malani, one of India’s most prominent artists, comprises paintings, wall drawings, video installations and a shadow play, and Malani has gained an international reputation for her multi-layered mixed-media installations. Sourced from history and culture, and mixed with Malani’s personal influences and experiences, they build up a narrative of epic proportions. Images from Palestine and Bosnia, and from the American destruction of Hiroshima and Nagasaki, are projected over Indian references, mixing universal concepts with specific historical and personal ones. Most of her works refer to female figures from both Indian and European traditions, which have been the focus of Malani’s work since the 1970s and give additional meaning to her complex layered surfaces. She was brought up in India, the melting pot of diverse ethnic groups, languages and religions, focuses on the trauma caused by endless conflicts between religions and ethnic groups. The history of constant disunion and chaos has been the solid basis of her works.

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Also Exhibiting at Arario Gallery

About the Gallery

ARARIO GALLERY SEOUL opened its doors in Sogyeok-dong in 2006. Since then, it has established its foothold as a leading contemporary art gallery in Korea and across Asia, continuing to be at the forefront of the international art scene through its efficient representation system and bold exhibitions. In March 2014, ARARIO GALLERY SEOUL relocated near the National Museum of Modern and Contemporary Art. In April 2018, ARARIO GALLERY SEOUL RYSE HOTEL, a second exhibition space in Seoul, opened in the Hongdae area. Running concurrently with its primary location until November 2019, the project space aimed to mirror the experimental spirit of the neighbourhood through its innovative programming. In 2022, ARARIO GALLERY SEOUL ended its Sogyeok-dong era. However, the various experimentation and ventures carried out in the gallery’s previous spaces continue to shape its future at its current location in Wonseo-dong, which reopened in February 2023. Through the preemptive discovery of young artists, steady support of represented artists, and the realisation of meaningful and original exhibitions, ARARIO GALLERY SEOUL aims to continually grow and contribute to the growth of the contemporary art scene in Korea.

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