
On the occasion of Song Dong’s solo exhibition, Thirteen Houses, at Song Art, Beijing Commune is pleased to present the artist’s three-day project, Remnants of Thirteen Houses, opening on September 10th, showcasing the remnants out of Song’s art making for his Song Art exhibition. Between the works in two organisations apart by one artist, the knowledge of art and production is revisited to explore the balance and tension between the useful and the useless, the formed and the unformed, being and emptiness.



Song Dong was born in Beijing in 1966. He graduated from the Fine Arts Department of Capital Normal University in 1989 and now lives and works in Beijing. As one of the most internationally influential artists, Song Dong’s distinctive artistic language is rooted in his open-ended practice and permeated with Eastern philosophies, garnering him wide attention and acclaim in the art world. Since the early 1990s, Song has been actively engaged in the development of Chinese contemporary art with numerous groundbreaking event-based art activities. He practices with diverse media spanning performance, video, installation, photography, conceptual painting, and theater, and has participated in exhibition and event curations. He specializes in utilizing folkloric and mundane language in everyday life and culture to create inclusive dialogues under globalization, seamlessly synthesizing profound ideas with sensual experiences. Song’s work discusses the relationship between life and art through an Eastern lens and explores the transient nature of the human condition, practicing his art and living his life with the idea of “no boundaries.”
Founded in 2004, Beijing Commune is now located in 798 Art Factory, Beijing. Its initial programs were mainly group shows exploring various currents in contemporary art while now it primarily focuses on solo shows to carry on the in-depth research.

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