Song Dong is a prominent figure in Chinese conceptual art, whose multidisciplinary practice spans installation, performance, video, and photography. His artworks when physically manifested as installations, most often utilise ephemera from everyday life, like food, lamps, or architectural debris—to muse on themes of globalism, impermanence, and the intersection of personal and collective experience and history.
Born in Beijing during the Cultural Revolution, Song Dong experienced firsthand the societal upheavals that would later inform his art. His father, Song Shiping, was sent to a re-education camp, leaving Song to be raised primarily by his mother, Zhao Xiangyuan, who instilled in him a deep appreciation for art and frugality. He graduated from the Fine Arts Department of Capital Normal University in 1989, initially focusing on oil painting before transitioning to more experimental forms of expression.
Song Dong utilises everyday materials to explore complex concepts—often expressing the transient nature of human activity and the shifting enviornments of urban China.
This large-scale installation comprises over 10,000 items, such as bottle caps, shoes, blankets, toothpaste, toys, and pens, all collected by his mother who was loathe to dispose of anything. The work is renowned as an astounding musing on the archive, memory, impermanence, gloabalisation, ephemerality, and a monument to a life lived. It has traveled extensively around the world, to major art galleries like the Museum of Modern Art, the Barbican Centre, and Vancouver Art Gallery.
A performance piece where Song used water to write daily diary entries on stone, which dry in time, leaving no residual trace—reflecting on the ephemerality of memory and documentation.
A video work projecting an image of Song’s hand over his father’s body, exploring generational gaps and expressions of filial love.
This participatory installation work is often a popular attraction as it involves a model city constructed out of thousands of biscuits and sweet treats. A quite literal take on consumption culture, the work also evokes the malleable nature of our urban environments—especially in China, which are often undergoing redevelopment.
Song Dong has been featured in numerous solo and group exhibitions worldwide.
Song Dong’s work frequently addresses themes of memory, impermanence, and the intersection of personal and collective histories, often using everyday materials to convey these concepts.
His works are part of collections at institutions such as the Museum of Modern Art in New York; M+, Hong Kong; Tate, London; White Rabbit Gallery, Sydney; Long Museum, Shanghai; and the Los Angeles County Museum of Art.
Waste Not is a deeply personal installation that showcases over 10,000 items collected by Song’s mother, reflecting on themes of frugality, memory, and the impact of China’s socio-political history on individual lives.
Growing up during the Cultural Revolution and experiencing personal family hardships have profoundly shaped his artistic exploration of memory, loss, and the transient nature of life.
Ocula | 2025
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