(1898 – 1986), United Kingdom

Henry Moore Biography

Henry Moore was an influential British sculptor recognised for his semi-abstract wooden or marble carvings and cast bronze sculptures based on reclining human figures. Within variously evolving and overlapping styles, Moore also created volumetric crayon and ink wash drawings and tapestries.

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Education and Early Career

A coal miner's son, Moore first showed artistic talent at Castleford Secondary School. In 1919, after fighting and being injured in the First World War, he got an ex-serviceman's grant to enroll at Leeds School of Art. There, Moore became friends with another modernist sculptor, Barbara Hepworth. In 1921 they both got scholarships to study at the Royal College of Art (RCA) in London. On their visits to the British Museum, Moore often examined the ethnographic collection.

In 1924, he began teaching at the RCA while making commissions and working in his studio. Five years later he married Irina Radetsky, a painting student, and moved his studio to Hampstead Heath. The Moores' neighbours included Hepworth, her husband Ben Nicholson, artists Naum Gabo and Roland Penrose, and critic Herbert Read.

In 1932 Moore took up a post at the Chelsea School of Art. In 1939 he met art historian Kenneth Clark, who began to champion and commission his work. With Clark's encouragement he also produced drawings of coal miners and—during the war—families in underground tube stations sheltering from the Blitz.

Seminal Works

In 1924 Moore got a six month travelling fellowship to Northern Italy Paris. At Paris' Trocadero Museum, he encountered a plaster cast of a reclining stone Chac Mool figure, a pre-Columbian Mayan sculpture that astounded him, and which he had seen two years earlier reproduced in a book on Mexican Art. From it he developed a formally rectangular, blockish structure in which a carved figure was positioned, such as Reclining Figure (1929) or Reclining Woman (1930). In the late thirties these became more abstract, elongated with holes, such as the elmwood Reclining Figure (1939).


The Human Form

Reclining or seated figures (or standing mother and child) were a dominant theme in his sculptures and distinctive drawings using crayon, chalk, watercolour and gouache. A good example is the bronze, Draped Seated Woman, 1956-7.

Abstract Sculptures

Moore's sinuous abstract sculptures were influenced by the works of earlier and contemporary artists, among them Picasso, Jean Arp, Joan Miró, and Constantin Brancusi. Also significant were elements of nature, particularly the austere rotund hillforms of his native Yorkshire. Often the body parts were disconnected and separated to accentuate the geological as curvilinear abstraction. Examples include Composition (1931) and Two Large Forms (1969).


Moore's friendship with Surrealists like Roland Penrose and admiration for Picasso led him to explore bronze casting and fluid and figurative anthropomorphic forms wrapped around or 'framing' holes. It enabled large sculptures to be positioned outside. In works such as Reclining Figure (1938) and Ideas for Sculpture in Metal (1939), Moore investigated the expressive possibilities of apertures while retaining the same, tuber-like quality for his figures with a reduced head and rubbery, writhing torso or limbs.


In the mid seventies Moore executed a small series of ink and watercolour figure drawings intended to be made into tapestries by five master weavers at Tapestry Studio, West Dean College. Moore was so fascinated by the results and the process of 'translation' where the weavers themselves picked the colours, dyes, types of wool and quality of greatly enlarged lines and stains, that he did seven more. Several were purchased by the Victoria and Albert Museum, and later sent to Christchurch Art Gallery for an exhibition in 1981. In 2021, art gallery Hauser & Wirth presented tapestries from the late seventies in Hong Kong.

Exhibitions and Legacy

Henry Moore exhibited internationally during his lifetime, with solo presentations including his representation of the United Kingdoms at the 24th Venice Biennale, for which he was awarded the Sculpture Prize (1948); Sculptures and Drawings of Henry Moore, Tate, London (1951); and Henry Moore, Forti di Belvedere, Florence (1972).

The more recent solo exhibitions following the artist's death in 1986 include The Sculptor's Drawing: Henry Moore, Museo Novecento, Florence (2021); The Power of Nature: Henry Moore in Poland, The Centre for Polish Sculpture, Four Domes Pavilion, and National Museum, Poland (2019); Henry Moore: Vision, Creation, Obsession, Arp Museum Bahnhof Rolandseck, Remagen, Germany (2018); Henry Moore: Myths and Poetry, Hauser & Wirth, Zürich (2017); Henry Moore, Tate Britain, London (2010); Henry Moore, National Gallery of Art, Washington, D.C. (2002).

The Henry Moore Foundation, established in 1977 by the artist, preserves his legacy while supporting contemporary sculpture projects and programmes.

John Hurrell | Ocula | 2021

Henry Moore Featured Artworks

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Violet Torso on Orange Stripes by Henry Moore contemporary artwork print
Henry Moore Violet Torso on Orange Stripes, 1967 Litograph
16.5 x 19.7 cm
Dellasposa Gallery Contact Gallery
Five Square Forms in a Setting by Henry Moore contemporary artwork painting, works on paper, drawing
Henry Moore Five Square Forms in a Setting, 1936 Indian ink, washed, pencil, heightened with gouache
38 x 55.3 cm
Helene Bailly Gallery Contact Gallery
Animal Form by Henry Moore contemporary artwork sculpture
Henry Moore Animal Form, 1959 Bronze
Helene Bailly Gallery Contact Gallery
Stonehenge IV by Henry Moore contemporary artwork print
Henry Moore Stonehenge IV, 1973 Lithograph in two colours
Hauser & Wirth Enquire
Ideas for Sculpture by Henry Moore contemporary artwork works on paper, drawing
Henry Moore Ideas for Sculpture, c. 1937 Ink on paper
59 x 44.3 cm
Hauser & Wirth Enquire
Two Standing Figures by Henry Moore contemporary artwork sculpture
Henry Moore Two Standing Figures, 1981 Travertine marble
Hauser & Wirth Enquire
Madonna and Child by Henry Moore contemporary artwork sculpture
Henry Moore Madonna and Child, 1943 Terracotta
14.5 x 7.5 x 7.8 cm
Hauser & Wirth Enquire

Henry Moore Recent Exhibitions

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Henry Moore Represented By

Gagosian contemporary art gallery in 980 Madison Avenue, New York, USA
Gagosian Athens, Basel, Beverly Hills, Geneva, Gstaad +6
Hauser & Wirth contemporary art gallery in Hong Kong
Hauser & Wirth Gstaad, Hong Kong, London, Los Angeles, Menorca +6

Henry Moore In Ocula Magazine

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