
With his new Insomniac Landscapes, Philippe Cognée once again demonstrates the power of his practice: a combination between his unconditional love of figurative painting, its rich history and unlimited formal potential, with the unwavering gaze of a contemporary man facing a world more disenchanted than ever.
For many years, Philippe Cognée has been tackling subjects often associated with the banality and ugliness of our civilisation–supermarkets, highways, impersonal architecture–magnifying them through his technique of wax paint, which, once melted and crushed, creates a striking and unique effect of blur. In a nod to video, digital technology and the hypervigilance of Google Earth, his paintings offer a deconstruction of the contemporary gaze. They explore the notion of ‘recognisable’, of memory and oblivion, in an existential questioning on the ‘exhaustion of images’.
Born in 1957, Philippe Cognée works in Nantes and Paris. A Villa Medici’s laureate in 1990 and nominated for the Prix Marcel Duchamp in 2004, Philippe Cognée spent many years teaching at the Paris École nationale supérieure des Beaux-Arts, where he trained a new generation of young figurative painters.
His work has been the subject of numerous solo exhibitions, including at Geneva’s MAMCO (2006), the Haute-Normandie Frac (2007), Musée de Grenoble (2013), Château de Chambord (2014), Fondation Fernet-Branca in Saint-Louis (2016) and Domaine de Chaumont-sur-Loire (2020). It also features in a great many museum collections, such as at the Musée national d’art moderne - Centre Pompidou, Fondation Cartier and Fondation Louis Vuitton in Paris as well as the Museum Ludwig in Cologne, Musée Cantonal des Beaux-Arts in Lausanne and Musée de la Chasse et de la Nature in Paris, which has recently commissioned two large-scale landscapes.
For spring 2023, he has been invited for a major solo exhibition at the newly renovated musée Bourdelle followed by a show at the Musée de L’Orangerie, both in Paris. The Musée des Beaux-Arts in Le Mans will be holding a solo exhibition of his work from May to October 2023.



Philippe Cognée was born in 1957 in Nantes, France, where he lives and works. His paintings use wax that is heated and crushed, producing a blurred effect and raising questions such as the thinning away of the image and the human condition in the light of humans’ relationship to their urban environment. The artist draws inspiration from photos and videos of elements such as motorways, buildings and aerial shots. His work questions the role of art in a society where new digital technologies have ushered in the era of the image, both omnipresent and diminished.


The gallery was founded in 1966 by Daniel Templon, who was then only 21. It first opened rue Bonaparte, in Saint-Germain-des-Prés in Paris, before moving in 1972 to its current location, rue Beaubourg, in the Marais, close to the Pompidou Centre, which opened in 1977. Daniel Templon first gained recognition by exhibiting conceptual and minimal artists such as Martin Barré, Christian Boltanski, Donald Judd, Joseph Kosuth, Richard Serra. In the seventies and eighties, Daniel Templon was one of the pioneers of the contemporary art and introduced many important American artists to the French public: Dan Flavin, Ellsworth Kelly, Willem de Kooning, Frank Stella, Andy Warhol. The gallery quickly became one of the references in contemporary art in France. In 1972, Daniel Templon and Catherine Millet co-founded the monthly art magazine ART PRESS.

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