CYNTHIA DAIGNAULT

History painting, for Daignault, is an act of poetry. In this, her approach recalls the work of Felix Gonzalez-Torres, who engaged with political history through the creation of quiet, specific and powerful metaphors. Her paintings are often installed in series, a prominent example of which includes Light Atlas (2016), a collection of 360 paintings from the artist’s travels across the continental US. Daignault’s first exhibition at Kasmin, As I Lay Dying, opened at Kasmin in November 2021. The exhibition expanded upon themes from_Light Atlas_ but at the specific site of Gettysburg, PA, as the artist asks us to walk with her in order to learn how, or from which vantage point, we might better understand the past. Daignault’s work was included in the New Museum Triennial in 2021.

Daignault’s work is in numerous public collections, including the Metropolitan Museum of Art, the Walker Art Center, the Baltimore Museum of Art, and the Blanton Museum of Art. She has presented solo exhibitions and projects at many major museums and galleries, including the Metropolitan Museum of Art, the Crystal Bridges Museum of American Art, MASS MoCA, the Modern Art Museum of Fort Worth, the Brooklyn Museum of Art, and White Columns.

Cynthia Daignault received a BA in Art and Art History from Stanford University. The first major monograph on her work, Light Atlas, was published in 2019. She is the recipient of numerous awards, including a 2019 Pollock-Krasner Foundation Grant, a 2016 Foundation for the Contemporary Arts Award, a 2011 Rema Hort Foundation Award, and a 2010 MacDowell Artist Fellowship. She lives and works in Baltimore, Maryland.

^{Text courtesy Kasmin Gallery}