The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
I'm always looking for processes and techniques that are completely anachronistic. I love recontextualizing these things in a modern time.
Gagosian is pleased to present new works by designer Marc Newson. This is Newson's first exhibition of limited-edition furniture in China.
From the outset of his singular career, Newson has pursued parallel activities in limited and mass production of functional design objects. With inspirations ranging from popular culture to traditional crafts from around the world, he approaches design as both an exploratory technical exercise and a process of conceptual, aesthetic, and physical refinement. Employing sculptural principles to address issues of efficiency, luxury, and use value, Newson has produced a broad array of highly crafted objects—watches, footwear, luggage, furniture, transport—upholding the principle that engineering and aesthetics are inseparable.
Revisiting his roots as a jeweler and silversmith, in this exhibition Newson explores increasingly rare decorative processes at an unconventionally large, even unprecedented, scale. He has long been drawn to the streamlined, simple beauty of Asian art and design: from his Aikuchi swords made in the renowned Tōhoku region of Japan to, most recently, his furniture created using the ancient technique of Chinese cloisonné—an enameling technique that originated in the eastern Mediterranean more than three thousand years ago and spread to China around the fourteenth century.
Although this intricate process is typically used for jewelry, figurines, and vases, Newson oversaw the construction of a massive new kiln in a cloisonné factory outside Beijing that would allow for multiple firings of desks, chairs, and lounges. Blurring the boundaries between sculpture, furniture, and the decorative arts, the resulting works are like jewels expanded to the full scale of the body. They feature Newson's signature "orgone" pattern, as well as interpretations of traditional Chinese floral motifs, such as large magnolias on a white ground, or cherry blossom branches set against opaque black enamel.
The exhibition also includes a selection of Newson's cast glass chairs. Made in the Czech Republic, these are continuous symmetrical forms comprised of two hollow quarter-spheres. The boldly colored upper halves rest on clear bases, which absorb some of the reflected hues in their clouded interiors, an effect that subtly changes depending on the vantage point. Because both glass and enamel are extremely precarious materials, Newson's new furniture defies physical odds, necessitating years of experimentation and refinement. However, despite the intensive labor and research involved, the works appear as seamless, polished units—simple forms carrying complex histories of labor, craft, and beauty.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.