ANSELM KIEFER

For the works on view, Kiefer drew inspiration from poet Rainer Maria Rilke, painter Caspar David Friedrich, and female figures from classical mythology who connect landscapes with allegorical narratives. Incorporating thickly textured layers that emphasize materiality and transformation to embody the luminosity, growth, and movement found in nature, the paintings are executed in oil, acrylic, emulsion, shellac, collaged canvas, gold leaf, and sediment of electrolysis. That last material is a deep verdigris green produced when a bath of copper, salts, and fluids is exposed to electrical current—a process that is a physical realization of the artist’s long-standing interest in alchemy.

In Für R.M.R. wirf mir die Ohren zu: ich kann dich hören (For R.M.R. seal my ears shut and I shall hear you still, 2023–25), a face emerges from the rough surface of a boulder. The painting is inscribed with a verse from The Book of Hours, which Rilke wrote in three parts between 1899 and 1903, overlapping the time when he was a secretary for sculptor Auguste Rodin. Titled after a medieval book of prayers, these lyrical poems explore a contemplative search for spiritual understanding.