
‘What makes watercolour special and different is that the light comes from the whiteness of the support. That’s why some areas in the works are left unpainted. In contrary to that concept, most of the times in the oil paintings the colours cover all the surface.’–Fernando Botero
In this recent series, the artist uses the canvas itself in his artistic palette to comment on painting, instead of obscuring the support. As such, Botero highlights the physicality of the material and likewise his painted bodies, but not in a stark manner, rather a playful and serene celebration of human life and art.
Created in dialogue with European Old Masters and Latin American colonial baroque art, Fernando Botero‘s (b. 1932, Medellin) mature works exemplify the artist’s interests and painterly technique. His iconic, voluminous forms are presented here as village musicians, plumb painters, statuesque newlyweds, gratified picnickers, floating ballet dancers and corpulent models.
Colombian artist Fernando Botero is internationally recognised for his sensual forms, exaggerated human size figures, still life, animals and objects of all kinds. Basing his choice of colours, shapes and proportions on his intuitive aesthetic thinking, Botero celebrates life within his subjects while mocking their role in society and everyday routine. His art exalts opulent grace while creating parodies with satirical and political commentary. Botero masters various disciplines including drawing, sculpture and painting. He reflects on many themes and experiences that shaped his youth in Colombia reminiscing tradition, beauty, passion, violence and pain.
Forty years after its establishment, Krystyna Gmurzynska and Mathias Rastorfer relocated the gallery from Cologne to its new flagship location in Zurich’s Paradeplatz in 2005. The building that currently houses the gallery dates back to 1857 and it is the same building in which the Dada movement was founded in 1917. The first exhibition in Zurich was a solo exhibition by Alexander Calder entitled, The Modernist, that was thoroughly endorsed by the Calder Foundation, which described it is as, ‘rare to experience a presentation of this quality outside of a museum’. As with each exhibition at the gallery the show featured a fully illustrated catalogue with important essays.
Galerie Gmurzynska continues to present unique exhibitions that are both historically well researched and scientifically documented. It also continues to work with leading art historians as well as collaborating with museums on exhibitions and for the enlargement of their permanent collections. Additionally, it currently participates in several art fairs such as Art Basel Miami Beach, Art Basel Hong Kong, Frieze Masters in London, Salon in New York and Art Basel, Switzerland. In the past it has taken part in FIAC, Abu Dhabi and PAD New York.

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