
Marina Pinsky examines the way in which we can read images as material, spatial, and ideological models of the world. Using photography to untangle and reify codes of representation, Pinsky mixes digital and analog techniques, establishing a relational mode between virtual and physical worlds. Pinsky’s working method involves creating objects and scenarios specifically to be photographed, as well as sculptural work to be presented in dialogue with traditional photographs. Her work has been shown in prestigious institutions including the Vleeshal, Middelburg, Netherlands; the Museum of Modern Art, New York; Hammer Museum, Los Angeles; and the National Gallery of Kosovo. Her work was included in the 13th Biennale de Lyon in 2015, while ‘Dyed Channel’, a solo presentation, opened at Kunsthalle Basel in 2016. Born in Russia, Pinsky currently lives and works in Berlin.
Over the past 30 years, Galerie Greta Meert established itself as one of Brussels’ leading contemporary art galleries. Founded in 1988 as Galerie Meert Rihoux, it was subsequently renamed after its founding director Greta Meert in 2006. Located in the center of Brussels, the gallery occupies a five-story Art Nouveau building designed by Louis Bral and renovated for the gallery by renowned Belgian architects Hilde Daem and Paul Robbrecht. Since 2012 three floors of the building are dedicated to exhibitions, making it possible to maintain an expanded exhibition schedule.

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