HomePage Artists

(1930 – 2019), USA

Robert Ryman Biography

For over five decades, the painter Robert Ryman has dedicated himself to the study of white. Using a wide range of surfaces including fibreglass, metal and canvas, and a range of fastenings and layering techniques, Ryman uses this colour to make visible the materiality of paint and light. 

Read More

In 1953, Ryman moved to New York with the initial aim of becoming a jazz musician. To support himself, he took up a job as a security guard for The Museum of Modern Art. There he was influenced by the art that he encountered daily—works by masters such as Matisse and Cézanne. He was also influenced by the time spent around his co-workers—the soon-to-be art legends Sol LeWitt and Dan Flavin

For ten years after his arrival in New York, Ryman doggedly experimented with his chosen colour. His approach to painting mirrored his previous experience in jazz; the improvisations based on chords and scales in music became riffs based on light and surface in painting. It was a long time before his paintings would gain traction in the New York art scene, momentum that perhaps was slowed by the dominance at the time of Abstract Expressionism—a movement to which Ryman’s work was diametrically opposed. It was only in 1967 that he had his first solo exhibition. In 1969, he was included in Harald Szeemann's historic exhibition When Attitudes Become Form, and from there his career began to soar. Ryman is now considered one of the most significant founding fathers of both Minimalism and monochrome painting in the United States.  

Ryman does not use white as a colour, but instead as a conduit to making things visible. Rather than using the medium of paint to escape into illusion, Ryman’s paintings are a means of focusing on the present. Emphasising a rejection of representational painting, he often paints on squares—a neutral space alluding neither to landscape nor to portrait. 

Ryman also, however, rejects the category of abstraction. His paintings do not aim to abstract or reduce reality, but reveal the complexities of light in the spaces they inhabit. A work can be observed by the same viewer an infinite number of times and something previously unnoticed will be found upon each view. They are paintings that reward those who take time and pay attention. 

During his retrospective at Dia:Chelsea in New York (9 December 2015–29 July 2016), director Jessica Morgan said of his work, ‘With Ryman, you find yourself walking very close to the wall’. In the rooms in which the paintings are situated, nuances of light influence the subtle ebb and flow of colour and shadow in each brush stroke, leading to a new revelation every moment.  

Casey Carsel | Ocula | 2017

Robert Ryman Featured Artworks

View All (13)
Untitled by Robert Ryman contemporary artwork painting
Robert RymanUntitled, c. 1964Oil on unstretched sized linen canvas glued to plywood mount
14 x 14.6 cm
Hauser & Wirth Contact Gallery
Untitled [4] by Robert Ryman contemporary artwork works on paper, print
Robert RymanUntitled [4], 1975Aquatint printed from two plates (ink: Titanium White)
35 11/16 x 35 7/16 inches
Krakow Witkin Gallery Contact Gallery
Untitled [2] by Robert Ryman contemporary artwork works on paper, print
Robert RymanUntitled [2], 1975Aquatint (ink: 50% Titanium White and 50% White Lead)
35 1/2 x 35 1/8 inches
Krakow Witkin Gallery Contact Gallery
Untitled, from 10 From the Bowery 1969-1971 by Robert Ryman contemporary artwork print
Robert RymanUntitled, from 10 From the Bowery 1969-1971, 1969Screenprint
25 3/4 x 25 3/4 inches
Krakow Witkin Gallery Contact Gallery
Untitled by Robert Ryman contemporary artwork print
Robert RymanUntitled, 1993-1994Inked aquatint on Twinrocker Buff paper
13 1/2 x 16 5/8 inches
Krakow Witkin Gallery Contact Gallery
Untitled [7] by Robert Ryman contemporary artwork print
Robert RymanUntitled [7], 1972Aquatint (ink: White Lead) and embossing (blind) on Rives BFK with deckled edges
24 x 24 1/16 inches
Krakow Witkin Gallery Contact Gallery
Untitled by Robert Ryman contemporary artwork painting
Robert RymanUntitled, c. 1963Oil on stretched sized linen canvas, 5 parts
62.5 x 62.5 x 1.3 cm
Hauser & Wirth Contact Gallery
Untitled by Robert Ryman contemporary artwork painting
Robert RymanUntitled, 1962-1963Oil paint on stretched sized linen canvas
60.01 x 60.01 cm
Xavier Hufkens Contact Gallery

Robert Ryman Recent Exhibitions

View All (5)

Robert Ryman Represented By

David Zwirner contemporary art gallery in 19th Street, New York, USA David Zwirner Hong Kong, London, New York, Paris
Xavier Hufkens contemporary art gallery in St-Georges, Brussels, Belgium Xavier Hufkens Brussels

Robert Ryman In Related Press

Robert Ryman In Video & Audio

Sign up to be notified when new artworks and exhibitions by Robert Ryman are added to Ocula.
Sign Up