Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...
In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...
'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...
Born 1944 in Solothurn, Switzerland, lives and works in Vienna, Austria and Camaiore, Italy. 1999–2007 Professor at the Kunstakademie, Düsseldorf, Germany
Helmut Federle studied at the School of Applied Arts in Basel 1964–1969. After that, he lived in Tunisia and the United States for some time. Since then, he has continued to travel, visiting Japan, North Africa, and the US, among other places.
For the last more than 40 years, Helmut Federle has built up an oeuvre characterised by a geometric and painterly style that is inherently spiritual, emblematic, intellectual, and close to nature. His works combine constructive arrangements with painterly, otherworldly pictorial spaces that are not only associated with subjective perceptions, but also strive toward universality. His painterly compositions are expressions of a strong system of meaning and thus evade purely formal interpretation.
Helmut Federle has had solo exhibitions at the Museum für Gegenwartskunst in Basel, the Kunsthalle Zurich, the Moderna Museet in Stockholm, the Friedericianum in Kassel, the Galerie national du Jeu de Paume in Paris, the Kunstmuseum Bonn, as well as the Kunsthaus Bregenz. He also represented Switzerland at the 47th Venice Biennale in 1997. By this time, he had become internationally well-known primarily for his large geometrical paintings. However, his smaller pictures have also been exhibited many times in the last decade–for example, in the major exhibition American Songline in the Kunstmuseum Luzern in 2012–2013. The Kunstmuseum Basel will devote to Helmut Federle a solo presentation in 2019.
His works can be found in many museums and private collections, including the Kunstmuseum Bonn, the Tate Modern in London, the Reina Sofia in Madrid, the Moderna Museet in Stockholm, the Carnegie Museum of Art in Pittsburgh, the Centre Pompidou in Paris, and the Goetz Collection in Munich.
Helmut Federle received the Prix Aurelie Nemours in 2008 and was awarded the Ricola Prize in 2016.
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