Press Release

Rendered predominantly in sombre earth tones, the subjects in Rafal Topolewski’s paintings appear to occupy dimly lit environments, seemingly frozen in a condition of semi-darkness. Topolewski builds an ambiguous association between the indeterminate formal gloom and the liminal mental state between sleeping and waking. The combination of strangely cropped fragments, together with an atmosphere of muffled interiority, reproduces something of the uncanny way things get mixed up in dreams and can feel equally symbolic. While one might guess at what is being symbolised—perhaps a fear of blindness or even death—ultimately, what is transposed, is a feeling of uneasiness. The works most obviously share a tentative painterly touch, a deliberate registering of doubt. The way the images are painted is fuzzy, neither fully sharp nor out of focus. Topolewski’s dry brushwork produces a comparable quality to that of a grainy photograph, a degraded digital file, or something else worn out by time. This quality of things slightly blurred, slightly distant, is used to embody not only the likeness of absent or past things but the act of recalling itself.

To construct or re-construct pictures, Topolewski draws on his archive of personal photographs as well as images found in books and on the internet. This source material is cut up, manipulated and merged in preparatory digital collages, which serve as a point of departure. Once a painting is begun, however, it is pursued on its own terms and can transform, through the activity of painting, into something unexpected. Although second-hand images often play a crucial part in the process of creation, Topolewski is primarily concerned with interrogating his own psychological space, and the intimate scale of the works reinforces the suggestion of a private individual space. The subjects belong, after all, to a personal repository of images and forms.

The works, like memories, seem to occupy an in-between space. For Topolewski, the idea of materialising a moment of suspension between one state and another is central, not only to the way something is depicted or contained within the surface of a painting, but to the uncertainties from which the work emerges. It describes the task that most profoundly shapes the artist’s work: that of making tangible and picking at the seams between consciousness and unconsciousness, clarity and confusion, meaning and meaninglessness.

About the artist

Rafal Topolewski (b. 1983, Grudziądz, PL) lives and works in Lisbon (PT). He studied Fine Art at the Royal Academy Schools in London (UK) and at the Manchester Metropolitan University (UK). Solo and group exhibitions include: Interludes, Alice Amati Gallery, London (UK) in 2023; The Belly and the Guts, Alice Amati Gallery, London (UK) in 2023; In Three Acts, Huxley-Parlour, London (UK) in 2023; Becoming a Creature, Tabula Rasa Gallery, London (UK) in 2023; Castelet, Simo Bacar, Lisbon (PT) in 2022; Corpo e Mente, curated by Lawrence Van Hagen, Palazzo Barbaro, Venice (IT) in 2022; If not, Winter, Simo Bacar, Lisbon (PT) in 2022, Nudes and Dudes, Lundgren Gallery, Mallorca (ES) in 2020; Isle, Smart Objects Gallery, Los Angeles, CA (US) in 2018; Fully Awake, Blip Blip Blip, Leeds (UK) in 2017; Royal Academy Show, Royal Academy Schools, London (UK) in 2016 and Premiums, Royal Academy of Arts, London (UK) in 2015.

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About the Artist

b. 1983, Grudziadz (PL)

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Also Exhibiting at GRIMM

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GRIMM is an international contemporary art gallery with locations in Amsterdam (NL), London (UK) and New York, NY (US). Since launching in 2005, it has been the gallery’s mission to represent and support emerging and mid-career artists who work in a diverse range of media. The gallery represents over 36 international artists, and in addition to its exhibitions programme, museum presentations and international art fairs, GRIMM maintains a popular publications series offering critical insight into its artists’ practices. GRIMM is a proud member of the International Galleries Alliance (IGA), Dutch Galleries Association (NGA) and the Gallery Climate Coalition (GCC).
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