Ocula Report Art Taipei 2018 10 November 201810 Nov 2018 : Diana d’Arenberg for Ocula 'There is nothing more boring than the story of decline,' a journalist remarked at an art criticism panel I attended the evening before making the trip to see Art Taipei (26–29 October 2018). As I attended the opening night of Asia's oldest art fair, which celebrates its 25th anniversary this year, those words rang in my head. Wandering up and down...
Ocula Conversation Charwei Tsai Taiwanese artist Charwei Tsai's memorising and compulsive writing of the Heart Sutra—a Buddhist scripture that distills the wisdom of impermanence—is at the heart of her practice. Over the past ten years, Tsai has moved from writing to drawing, photography, and film—a selection of which is being presented at the Centre for Chinese...
Ocula Report Crush at Para Site: What if you couldn’t have it? 10 November 201810 Nov 2018 : Hera Chan for Ocula Drawn on paper by Oscar Chan Yik Long in gestural black ink strokes, Cupid (2015) greets visitors with a sinister toothy smile as they enter Para Site. The strikingly fearsome figure is positioned on the wall of the gallery's entrance, near one of Chen Dandizi's vertical neon tube lights, part of the series 'Tick Away' (2015), along which a...
Hanart TZ Gallery has been a pioneer in exploring the Chinese cultural map for over 30 years, and has represented and worked with numerous artists now internationally prominent. The Gallery opened in November in 1983 with the mission of introducing new Chinese contemporary art both to the Asia region and internationally. The Gallery soon became a magnet for both established and emerging artists from the Greater China areas of Mainland China, Taiwan and Hong Kong, as well as the international diaspora. As such the Gallery has served as a significant link with the international art world; its role in landmark exhibitions, such as The Stars 10 Years (1989) and China’s New Art Post-1989 (1993, toured until 1998), and Power of the Word (1999, toured until 2002) are iconic.
Other significant shows that Hanart TZ Gallery has organized include: international exhibitions of monumental sculptures by the celebrated Taiwanese sculptor Ju Ming at South Bank Centre in London (1991), Place Vendome in Paris (1997-1998) and Brandenburg Gate in Berlin (2003); A Strange Heaven, Photography from China, Taiwan and Hong Kong (Europe tour, 2003); Liu Guosong (Liu Kuo-sung) solo exhibition at the Palace Museum, Beijing (2007); and Zhang Xiaogang, Fang Lijun, Feng Mengbo joint exhibition at Galerie Rudolfinum, Prague (2008). In 2010, the Gallery opened a new exhibition space, Hanart Square, for featuring shows of experimental art and installations.
It is our belief that publication and intellectual discourse are critical to encouraging creativity and disseminating information, and over the years the Gallery has worked with many writers and curators, and has produced over a hundred catalogues. In 2015, Hanart TZ Gallery published a major book, 3 Parallel Artworlds: 100 Art Things from Chinese Modern History, featuring texts by fourteen international scholars and interpretations of one hundred Chinese artworks from the past century. In recent years the Gallery has extended its focus to building links and exchanges with artists and scholars of the Pan-Asia region.
