Ocula Conversation Cinga Samson: ‘a different conversation on representation’ By Jareh Das, New York Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...
Ocula Report Dhaka Art Summit 2020: Seismic Movements By Radha Mahendru, Dhaka Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.
Ocula Insight At the freshly opened Winsing Art Place in Taipei, works by Vietnamese-Danish artist Danh Vo are being presented in Taiwan for the first time. In this video, the founder of Winsing Arts Foundation, Jenny Yeh, introduces Vo's exhibition.
Related Press Charley Peters: ‘Painting, Writing, Abstraction and the Spaces In-between: In Conversation with Tess Jaray’ 26 April 2019, Instantloveland Using the Art Deco building of the Barber Institute, designed by Robert Atkinson and built between 1932—1939 as a Foundation for the works, the paintings extend Jaray’s ongoing contemplation of architectural form and continue her rigorous evaluation of the emotive conditions of spatial composition through carefully considered, desaturated...
Related Press Wilding & Richardson wow in South Kensington 1 April 2019, The Art Newspaper The show is a dialogue between Wilding and Leeds-born Frances Richardson who is showing Because the two parts don’t quite touch (2019)—a looped structure surrounded by a pair of boulders—among other works.
Related Press Alison Wilding review – pure sculpture from an artist whose time has come 22 June 2018, The Guardian Wilding is an alchemist whose art is full of romance and mystery and sudden transformations. She is also, her mini-retrospective at the De La Warr Pavilion makes plain, an artist of nature. Her abstract forms may not at first glance appear to have any connection with the natural world. A black fibreglass balloon nestling inside a ring of...
Related Press Fascinating puzzles that pose mysterious questions - Alison Wilding, Whitworth, Manchester, review 16 February 2018, The Telegraph At the Whitworth, a kind of mysterious gateway formed from interlocking recycled floorboards looms impressively over the centre of the room while a flotilla of silk and paper roses are adrift on a hemisphere of trashed concrete. Your first impression is of art that delights in very physical conjunctions of unlikely materials, but is at the same...
Related Press Shapes Are Held In Tension: A Conversation With Tess Jaray 13 June 2017, Forbes There’s a physical quality to Tess Jaray’s paintings that comes through even in digital reproductions. Scrolling through an email containing images from Into Light, an exhibition of her work open at Marlborough Fine Art in London through June 17, feels a bit like walking into a shaft of sunlight in an ancient alley.
Related Press Rose English review – the unsung queen of British performance art 20 December 2015, The Guardian Every element of this show is part of a plan for an immense performance project, conceived by Rose English a decade ago, which has never yet come to fruition. But perhaps it never can, or even should. The truth of life’s fragility, the bravery of the human heart, and the song of the body electric flow all the way through it. Everything you see and...
Related Press INTERVIEW: We talk to artist Ann-Marie James about her solo exhibition “Le Monde Moderne” at Edel Assanti 10 December 2015, FAD Magazine Lee Sharrock talks to artist Ann-Marie James about her solo exhibition Le Monde Moderne at Edel Assanti. Since graduating with an MA in Fine Art from Wimbledon College of Art in 2012, James has exhibited in London, Paris, Italy and Japan, and won a scholarship to the British School at Rome. The Edel Assanti solo exhibition in association with...
