Karsten Schubert London In Press Archive

Tess Jaray's From Piero and Other Paintings —shadows of the masters. Rachel Spence writes her response to From Piero and other paintings, Tess Jaray's solo exhibition at the New Art Centre, Salisbu

Using the Art Deco building of the Barber Institute, designed by Robert Atkinson and built between 1932—1939 as a Foundation for the works, the paintings extend Jaray’s ongoing contemplation of archi

The show is a dialogue between Wilding and Leeds-born Frances Richardson who is showing Because the two parts don’t quite touch (2019)—a looped structure surrounded by a pair of boulders—among other

Rose English's exhibition forms part of the gallery's 12-month programme dedicated to supporting the work of female artists. Titled 100% Women, the programme aims to protest the persistent gender in

Her work feels particularly timely. Like English, numerous artists—from the New Theatre, Berlin, to Jesse Darling or Than Hussein Clark—have been turning to traditional stagecraft, while her play with

Wilding is an alchemist whose art is full of romance and mystery and sudden transformations. She is also, her mini-retrospective at the De La Warr Pavilion makes plain, an artist of nature. Her abstra

At the Whitworth, a kind of mysterious gateway formed from interlocking recycled floorboards looms impressively over the centre of the room while a flotilla of silk and paper roses are adrift on a hem

There’s a physical quality to Tess Jaray’s paintings that comes through even in digital reproductions. Scrolling through an email containing images from Into Light, an exhibition of her work open at

Every element of this show is part of a plan for an immense performance project, conceived by Rose English a decade ago, which has never yet come to fruition. But perhaps it never can, or even should.

Lee Sharrock talks to artist Ann-Marie James about her solo exhibition Le Monde Moderne at Edel Assanti. Since graduating with an MA in Fine Art from Wimbledon College of Art in 2012, James has exhi