In Iran, Khosravi lived what she calls a “double life”– a public existence that adhered to Islamic laws and a private one that was more free. Raised in a non-religious family during the first decade after the 1979 Islamic Revolution, Khosravi experienced the “dominance of the oppressive regime” in her daily life including being arrested as a young woman while walking down the street in Tehran because her hijab did not cover enough of her body. While the United States offered new freedoms, she found herself, as an immigrant, directly affected by the American Muslim ban in 2017.

In 2019, the Newport Art Museum included Khosravi’s work in “The Shapes of Birds: Contemporary Art of the Middle East and North Africa,” her first museum show following her graduation from RISD. The Museum is honored to present Khosravi’s solo exhibition, which features a painting from the Museum’s collection along with new works by the artist that blend elements of painting and sculpture. Through powerful imagery and symbolism, Khosravi’s evocative works encourage viewers to consider the role and rights of people – particularly women – in the United States and beyond.