
Kerlin Gallery is pleased to present Northern Sky, an exhibition of new painting by Elizabeth Magill.
“The drama is that these paintings are released and withheld. Sometimes there is wind; sometimes there is stillness. What is plain sits uneasily beside what is visionary. There is no simple meaning; instead there is much ambiguity and strange, coiled beauty. Something might be about to happen, but that possibility is contained.”- Colm Tóibín, from a newly commissioned text for Northern Sky, 2026.
Elizabeth Magill is one of Kerlin Gallery’s longest-standing artist collaborations, established when the gallery first opened in 1988. Since then, she has enjoyed a wonderful international career exhibiting in multiple public and commercial galleries across the UK, Europe and Asia. She returns to Kerlin Gallery with a new body of paintings. Northern Sky represents a new, more painterly, experimental expression of Magill’s work. The artist has refined her paintings to a smaller scale, balancing looser, more gestural marks with descriptive landscapes. These works explore the tension between abstraction and observation, creating atmospheric landscapes that feel both familiar and dreamlike. She was inspired by musician Nick Drake when creating this body of work and has named each painting after his song titles.
The exhibition is accompanied by a major new monograph, Northern Sky, with an illuminating text from celebrated Irish writer Colm Tóibín. Published by Kerlin Gallery, Dublin; Miles McEnery Gallery, New York; and Annely Juda Fine Art, London, this full-colour hardcover text will span Magill’s career over 240 pages.
Courtesy Kerlin Gallery.
Described by critic Isobel Haribson as “epic, enigmatic and evocative”, Elizabeth Magill’s highly idiosyncratic paintings present subjective and psychological takes on the landscape genre. Rich with kaleidoscopic patterning and fragmented forms, these vistas are embedded in place – usually rural settings on the edges of settlements – but transported through the artist’s imagination, memories, photographs or moods to be presented as something other: lush, visionary recollections of hills, lakes, hedges and skies glowing with ambient light. The term ‘inscape’ has been used to describe Magill’s practice: landscapes not based on direct observation, but imbued with a sense of interiority and reflection. Though they have a cinematic beauty, her paintings can also be eerie or unsettling: trees or telephone wires conceal the view; birds are silhouetted in the dark; rare human figures feel distant, phantasmal; colours feel subdued, or occasionally toxic. Magill’s complex and densely layered paintings are produced using various techniques, at times incorporating stencilling, screenprinting and collage, as well as the pouring, blending, dripping, splashing and scraping away of paint. Film and photography are also central to her research, shaping the way the artist looks at landscape, and infusing her approach to light, tone and atmosphere.
Kerlin Gallery was founded in Dublin in 1988. It has built an international reputation for its dedicated, meaningful representation of leading contemporary artists through its exhibition, publishing and art fair programmes. Its current site was designed by the minimalist architect John Pawson in 1994 and offers 3,600 square feet of exhibition space over two floors in the heart of Dublin City Centre.

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