ISHMAEL RANDALL WEEKS

Exhibited together are wall-based, suspended and floor sculptures. Randall Weeks’ floor sculptures respond to spatial relationships of the human body, linking individuality to collective group mentality. Chakana Penetrable, a hinged brass structure, is made from the repetition of simple geometric rectangles and squares based on the symbolic nature of the ‘invented’ Inca Cross mixed with a visual reference to Oiticica’s Nucleos and Jean Baudrillard’s Simulacra and Simulations. Ibeam/Toda las tierras (Ibeam/all the earths) is composed of three suspended I-beams in a single, head-high line made from fired earths from different pre-colonial ceremonial sites. Both evoke conversations about boundaries and their subsequent limitations.

Among Randall Weeks’ wall-based works are Formas Básicas (basic forms), a large square composition comprising smaller squares that make up a mosaic, and the intimate Código atemporales (timeless codes). Made from Metallic grout, glass, steel and wood, Formas Básicas incorporates fundamental symbols and motifs drawn from the vocabulary of urbanism and architecture, its parts assembled in a fragmented manner that can be arranged or rearranged in a multitude of ways. The viewer is thus engaged in an open dialogue on issues of past modernity and possible futures. Randall Weeks’ Código atemporales function like time capsules. Layers of collected soil and materials are laid down like sedimentary plates. Windows cut into these layers act as miniature excavations, and serve as a sculptural diary, with the time marked by patterns of materials collected from specific sites.