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4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula

'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...

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Ellen Altfest Ocula Conversation Ellen Altfest

The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...

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Colomboscope 2019: Cross Currents and Dissonance Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula

On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...

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David Hammons

b. 1943, USA

David Hammons was born in Springfield, Illinois in 1943. He moved to Los Angeles in 1962 and studied art at the Chouinard Art Institute (now CalArts) from 1966 – 1968 and the Otis Art Institute from 1968 – 1972. He settled in New York City in 1974, living and working in Brooklyn.

In Ocula Magazine

Exhibitions in New York to see in May Ocula Report Exhibitions in New York to see in May 29 Apr 2016 : Ryan McClure for Ocula

Mnuchin GalleryDavid Hammons: Five Decades15 March - 27 May, 2016 David Hammons is an artist with no shortage of press covering his prolific career. Yet, it’s no secret that he prefers to remain out of the spotlight, often declining interviews and not attending his own openings, keeping the art world pomp and circumstance...

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In Related Press

London exhibitions: black rights on both sides of the Atlantic and Middle Eastern spaceship diners Related Press London exhibitions: black rights on both sides of the Atlantic and Middle Eastern spaceship diners The Art Newspaper : 1 September 2017

What a show! Each section and, indeed, pretty much each individual in this rich but rigorous celebration of black artists working in the US in the 1960s and 1970s, could spin off into a separate exhibition in its own right. The various responses to the black civil rights movement and what it meant to be a black artist in this turbulent time range...

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Seeing Round Corners: The Art of the Circle review - the joy of life in the round Related Press Seeing Round Corners: The Art of the Circle review - the joy of life in the round The Guardian : 29 May 2016

A circle is itself, pure and simple, but a world of other things too: a bubble, an eye, a planet, the sun. Casually drawn on a scrap of paper, it can be a hole, a halo, a ring or the Earth itself. Since the dawn of mankind we have been looking with wonder at the full moon in the night sky and the coloured discs in each other’s eyes. The lure...

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Looking at seeing: David Hammons and The Politics of Visibility Related Press Looking at seeing: David Hammons and The Politics of Visibility Art News : 21 February 2015

Last spring, Mike Spano, the mayor of Yonkers, New York, a city of about 200,000 that shares a border with the Bronx, delivered his State of the City Address at City Hall. After describing Yonkers as a destination for “new-economy” companies - a developer of shared workspaces, a brewery, and a wine-storage business - he announced that...

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