CHRIS DENOVAN, ANNAMIEKE ENGELBRECHT, CHELSEA YOUNG

Taking this familiar command as a point of departure, Ctrl + Z considers what it might mean to undo, repair, unlearn or return in the physical and social world. Rather than imagining undoing as a return to what was, the exhibition asks us to reconsider how we arrived here, what remains, and what might still be transformed.

Drawing together voices from across the African continent, Christopher Moller Gallery’s presentation reflects its longstanding commitment to fostering a broader Pan-African dialogue within contemporary art. Bringing together Chris Denovan, Annamieke Engelbrecht and Chelsea Young, the exhibition presents three distinct practices shaped by diverse histories, experiences and approaches to the world around us.

Across painting, sculpture and mixed-media practices, the artists engage with transformation through questions of memory, identity, heritage, technology, human connection and the natural environment. Denovan explores the reconstruction of meaning through found imagery and reconfigured relationships; Engelbrecht considers humanity’s attempts to understand systems far greater than ourselves; while Young turns towards the cyclical rhythms of the natural world and the quiet transformations of the landscape.

Together, their works resist the idea that change can simply be erased. Fragments remain. Systems evolve. Memories shift. Landscapes move through cycles. Meaning is continually reconstructed.

Responding to the wider concerns of HEAT 2026, Ctrl + Z considers undoing through social, political and environmental lenses, asking what meaningful repair might require. In an age shaped by acceleration, digital saturation and consumption, the exhibition creates space for slower looking and deeper attention — inviting audiences to question what we think we know, reconsider what has been overlooked, and imagine different relationships with what remains.