
MASSIMODECARLO Pièce Unique is very pleased to present the work of Los Angeles–based painter Michelle Blade, whose work examines time, memory, and the persistence of the natural world through intimate, autobiographical subjects.
A third-generation Angeleno, Blade draws inspiration from Southern California landscapes, domestic interiors, and the everyday experiences of motherhood. Gardens, desert paths, domestic spaces, and interactions with her daughters serve as sites for exploring care, continuity, and the cyclical nature of life.
A Salutary Spring
Gliding through the verdant
mess of tangled beauty,
the limb of time refuses
The vase precedes the compost
With the bedroom door cracked,
two horned owls call out in the blackness
discussing, considering, offering
The halftime show on the tv
echoes down the hall
As the wave-like din of a party rises and falls
God bless America(s)!
The present, unaware
of its solidarity with yes and no
attempts to sketch evolution.
Dormant seeds
already shedding their introversion,
stretch spellbound, towards conviction.
A dry crunch of a sycamore leaf
and the dog’s face presses into the screen.
Somewhere between restless and lazy
I too breathe in the smell of the damp
warm brick and night blooming jasmine
Mimicking, learning
She devoutly believes
In the infinitude of beauty
Spring is no sleep walker.
Courtesy MASSIMODECARLO.















MASSIMODECARLO Pièce Unique opened in a historical building at 57 Rue de Turenne on February 2021. It has been renovated by acclaimed Japanese architect Kengo Kuma in collaboration with PiM.studio Architects. MASSIMODECARLO Pièce Unique offers a flexible, dynamic, and upbeat program of single-work exhibitions, visible day and night through its glass window. The gallery is born from the purchase of the “Pièce Unique” brand, an adventurous space by iconic gallerist Lucio Amelio that he opened in Paris in 1989 designed with Cy Twombly. MASSIMODECARLO Pièce Unique will respect and recast into the 21st Century the legacy of this historical project, renewing its original idea, infusing a new perspective, and offering an alternative exhibition model for the contemporary art system.
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