Press Release
Mizuma Art Gallery is delighted to announce the opening of AOYAMA Satoru’s exhibition Dedicated to Unknown Embroiderers on April 22nd 2015. Employing industrial-use sewing machines, Aoyama presents numerous works which expand the frame of the embroidery medium, by questioning the values inherent in humanity and labour within the continuing changes effected by modernization.

For this exhibition, Aoyama’s work engages with his interest in the map works of Alighiero Boetti (1940-1994), which were entitled MAPPA and produced by embroiderer craftspeople of Afghanistan.

The influence of the history of the arts and crafts, of political relations which isolate East and West from one another - evoking thoughts of Orientalism, globalization, capitalism, war and disaster: by investigating the circumstances in which MAPPA was made, Aoyama Satoru, too, found himself compelled to create a world map.

While it is universal in its existence, it is a world map unusually filled with change.

The order of the world is greatly transformed; in this modernity in which one can see the repetitions of “disappearance and regeneration”, boundaries become indistinct, and things which one might have thought were problems in faraway lands become urgent issues close to hand. Boetti’s works, created by female Afghan refugees, seem even now in their unfaded state to raise important matters to our awareness. So too, in Aoyama Satoru’s works, are the light and darkness of modernization, the community and the individual, nation and society, and problems concerning many and various boundary lines, brought forcefully to our attention.

Installation Views

Selected Works

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About the Artist

Satoru Aoyama (b. 1973, Tokyo, Japan) graduated with a BA in textiles from Goldsmiths College, University of London in 1998, and an MFA in Fiber and Material Studies from the School of the Art Institute of Chicago in 2001. Aoyama creates works that explore issues of labour and capitalism in contemporary society, using an old Singer industrial sewing machine. He believes that ‘only by continuing to create, can art be a mirror of the times.’ Over the past few years, Aoyama has used embroidery to continuously engage with social issues such as the COVID-19 pandemic, wars and conflicts around the world, and the divisions they have caused, blending critique with humour in his work. In works that Aoyama describes as ‘small monuments to disappearing things’—embroidered reproductions of magazines, bills, and flyers—the artist calls into question contemporary society, where all information and objects are consumed ‘momentarily’ and where society itself undergoes rapid transformation.

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Also Exhibiting at Mizuma Art Gallery

About the Gallery

Executive Director Sueo Mizuma established Mizuma Art Gallery in Tokyo in 1994. Since then, the gallery has continuously presented artists from Japan and, increasingly, from the surrounding region whose works demonstrate distinctive sensibilities, unaffected by fleeting stylistic trends.

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Tokyo 2F Kagura Building, 3-13 Ichigayatamachi
Mizuma Art Gallery
2F Kagura Building, 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo, Japan

Opening hours
Tuesday – Saturday
12 – 7pm

Closed Sunday, Monday and National holidays
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