Goodbye, gaze, 2015
Glass, silver, acrylic, metalNotes
In Sukhareva’s practice, corrosion operates not only as a technical process but as a poetic one. She treats oxidation as a form of recording and memory, rethinking a process typically associated with decay. What emerges is a notion of material memory — the traces of encounters embedded within matter — grounded in the idea that, “unlike man, things carry within themselves all their ‘memories’ simultaneously.”
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