An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
Katie Paterson's work is a map of dead stars, 27,000 of them, or all that have so far been observed and recorded. But, as she tells us in this film, if you were going to make a map of all the dead stars it would be the size of the Earth.
We follow the artist as she visits an observatory to talk to Professor Ofer Lahav about the mysteries of the universe. Katie Patersons work was featured in the Altermodern exhibition at Tate Britain.
Scottish-born multi-disciplinary artist Katie Paterson teases out facets of overwhelming concepts—such as interplanetary time differences, the history of our planet, and the brevity of human lifespans—and makes them digestible. Through her immersive installations, text-based pieces and sculptures, she takes the audience from the massive to the minute, from the cosmological to the deeply personal.
Since graduating with a BA (Hons) from Edinburgh College of Art in 2004, and with a MFA from the Slade School of Fine Art in London in 2007, Paterson has become known for her research-based, conceptually driven process, and her Romantic, poetic and coolly minimalist presentation style.
Paterson uses both everyday and advanced technologies to connect her audiences with the sublime—such as faraway stars, planets, natural phenomena and meteorological events—as seen in Earth-Moon-Earth (Moonlight Sonata Reflected from the Surface of the Moon) (2007), when she converted Beethoven's Moonlight Sonata into Morse code and transmitted it to the lunar surface and back to a player piano.
Paterson is also known for reimagining and repurposing ordinary machines and everyday systems. For Vatnajökull (the sound of) (2007–8), she installed a microphone underneath a glacier and broadcast the sounds of the ice melting, live, to any phone that called 0775 700 1122; in her month-long project Streetlight Storm (2009), she set up the lamps on Deal Pier in Kent, England, to flicker anytime there was a lightning strike on Earth; and in Timepieces (Solar System) (2014), she calibrated nine wall clocks to tell the time on the planets in our solar system and on Earth's Moon.
Paterson regularly collaborates with experts to realise her artworks and expand her practice. She has worked together with technicians at the lighting manufacturer OSRAM to take spectral measurements of moonlight and apply it to a custom-made bulb (Light bulb to Simulate Moonlight ); and for All the Dead Stars (2009), she had leading cosmologists and 'supernova hunters' assist her in mapping the locations of just under 27,000 dead stars.
Similarly, Paterson has worked with nanotechnologists to carve a grain of sand down to just 0.00005 mm across, and then tossed it into the Sahara for Inside this desert lies the tiniest grain of sand (2010). In 2013, for Fossil Necklace, she enlisted a specialist stonecutter to hand-carve 170 fossils she had collected, found or bought, into tiny beads. She has also used advanced telescopic technologies to source thousands of detailed images of solar eclipses for her project Totality (2016). Whether consulting specialist space agencies, biologists or architects, or using sophisticated materials, Paterson produces works that prompt viewers to examine their place on Earth and their understandings of time and their own ephemerality.
Paterson has participated in both group and solo exhibitions throughout the United Kingdom and internationally—from London to Edinburgh, New York, Seoul, Berlin and San Francisco. Her artwork has been shown at the Scottish National Gallery of Modern Art, Edinburgh; Solomon R Guggenheim Museum, New York; Art Institute of Chicago; and the Museum of Contemporary Art Australia, Sydney. In 2014, she received the Visual Art award at The South Bank Sky Arts Awards, and in 2010, she became University College London's first artist in residence in the Department of Physics and Astronomy. She is also an Honorary Fellow of Edinburgh University.
Czech painter Hynek Martinec and Parafin director Ben Tufnell talk about Every Minute You Are Closer to Death, the inaugural exhibition at Parafin's Woodstock Street space.
The prizewinning author, poet, essayist and literary critic Margaret Atwood has been named as the first writer to contribute to Future Library, Katie Paterson’s 100 year artwork in Oslo, Norway. A thousand trees have been planted in Nordmarka, a forest just outside Oslo, which will supply paper for a special anthology of books to be printed in one...
Nathan Coley talks about his work The Lamp of Sacrifice, 286 Places of Worships, Edinburgh 2004 which is on loan from The National Galleries Scotland (NGS) as part of GENERATION.
‘Fossil Necklace is a string of worlds, with each bead modestly representing a major event in the evolution of life through a vast expanse of geological time. From the mono-cellular origins of life on earth to the shifting of the continents, the extinction of the Cretaceous period triggered by a falling meteorite, to the first flowering of flowers,...
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