
gallery rosenfeld and The Museo Civico at Palazzo Pubblico in Siena are proud to present Allegoria: Dedica ad Ambrogio Lorenzetti, a major site specific installation by Romanian artist Teodora Axente, opening on Saturday 8th of August.
Curated by Riccardo Freddo and Michela Eremita, the exhibition represents an extraordinary opportunity for the artist to engage directly with one of the most celebrated masterpieces of Italian art history: Ambrogio Lorenzetti’s Allegory of Good and Bad Government (1338–1339).
Created specifically for the historic setting of the Palazzo Pubblico, Axente’s installation consists of two monumental polyptychs comprising twenty two paintings, conceived in direct dialogue with Lorenzetti’s iconic fresco cycle. Presented alongside the original frescoes, the works establish a compelling conversation across nearly seven centuries, exploring enduring questions of power, morality, civic responsibility, and the consequences of political action.
Among the most important fresco cycles in the history of Western art, Lorenzetti’s Allegory of Good and Bad Government was conceived as a visual and ethical guide for Siena’s rulers.
Rather than depicting a religious narrative, the fresco offers a sophisticated secular reflection on governance and communal life. Through a powerful contrast between virtuous and corrupt rule, Lorenzetti demonstrates how the fate of society is inseparable from the moral choices of those who govern.
In the Allegory of Good Government, the Common Good is surrounded by personifications of Justice, Peace, Prudence, and Temperance, while the adjoining scenes depict a flourishing city and countryside animated by prosperity, labor, and harmony. In contrast, the Allegory of Bad Government is dominated by tyranny and vice, where Cruelty, Fraud, and War lead to violence, instability, and decay.
Drawing inspiration from this timeless masterpiece, Axente reimagines Lorenzetti’s allegorical language through a contemporary lens. Her paintings investigate the psychological and symbolic dimensions of power, presenting figures suspended between strength and vulnerability, transcendence and collapse. Through her distinctive visual vocabulary and meticulous technique, the artist reflects on the complexities of the human condition and the enduring relevance of Lorenzetti’s vision in today’s world.
Installed in direct proximity to the original frescoes, Allegoria: Dedica ad Ambrogio Lorenzetti offers a rare encounter between contemporary painting and one of the foundational works of political thought in art history. The exhibition creates a bridge between past and present, demonstrating how the questions raised by Lorenzetti nearly seven hundred years ago continue to resonate with remarkable urgency.
In eerie paintings of human figures constricted by an array of devices and materials, Teodora Axente explores states of internal crisis. For Axente, the juxtapositions in these scenes between human emotions and the odd assortment of foil, satin pillows, and nylon bags are meant to evoke the duality of spiritual and material and reference the human desire to reshape oneself. A member of the Cluj School, Axente shares with this young group of Romanian painters her dark, sultry colour palette and preoccupation with the uncertainty of the individual in modern society. Despite the uncanniness of her subject matter, however, she considers her practice to be a game of sorts. ‘I see the game as an escape,’ Axente says. ‘Who can prove to me that the world I build is not the real one?’
gallery rosenfeld is a leading contemporary art gallery dedicated to presenting ambitious, concept-driven work by an international community of artists. Founded in London’s Fitzrovia in 2011 by Ian Rosenfeld, the gallery has established itself as a dynamic platform for artistic discovery, supporting both emerging and established practitioners across painting, sculpture, installation, performance and multidisciplinary practice.
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