XU LISHUANG

Taking the act of “passing” as its beginning, Passing, gnissaP unfolds in two different ways: the former refers to the body passing through space, while the latter points to industrial objects that intervene in perception as they pass through the body. By altering the direction of movement, adjusting the sequence of actions, and reorganising the relationship between the body and its tools, the two are juxtaposed within the project, allowing everyday experience to shift and transform through certain actions...

About the artist

Lishuang Xu (b. 1989, Changsha) graduated from Chelsea College of Arts (UAL) majoring Fine Art, and now lives and works in Shanghai, China. Working across performance, video and installation, Xu invites viewers to confront the unease experienced by the body and perception in a rapidly changing society. Her practice engages with labour, spatial transformation and systems of performance measurement. Drawing inspiration from everyday actions, she employs strategies of estrangement to explore the entanglement of subjective perception and objective reality.

Xu’s selected exhibitions and projects include: Cosmic and Hearth: Living Together in the Age of Technology, Hangzhou Central Art Museum, Hangzhou, 2026; Pulse of An Urban Legend, Shenzhen Art Museum, Shenzhen, 2025; If a Fold Could Tremble the Ridge, Third Street Gallery, Shanghai, 2025; The Current We Carry (Two- Person Exhibition), Hong Museum, Wenzhou, 2024; Overlook (Live Performance), A4 Art Museum, Chengdu, 2024; Urgency Addiction (Live Performance), MACA Art Center, Shanghai, 2024; Mountain and Sea Factory, Art Museum of Guangzhou Academy of Fine Arts, Guangzhou, 2024; Tank Art Festival, Tank Shanghai, Shanghai, 2023; Body Autonomy and Urban Acceleration (Residency Project), OCAT Shenzhen, Shenzhen, 2022; The Archival Impulse, AIKE, Shanghai, 2022; Nowhere to Meet the Horse (Project Residency), Machang, Shanghai, 2021; Ritual Dance [Parallax], Biennale Sztuki Mediow WRO, Wrocław, 2019; Rarely Parasitic, Triangle Space, London, 2018, etc.