
Cyprien Gaillard’s new stereoscopic film, Retinal Rivalry (2024), is an entrancing journey through Germany’s urban landscape and its layers of historical and social significance. A decade after the premiere of Nightlife in 2015, Philomene Magers and Monika Sprüth are honoured to present the German debut of Gaillard’s major new film installation during Gallery Weekend Berlin. Building on his previous exploration of the sculptural qualities of three-dimensional moving images, the work extends beyond the confines of the screen. By harnessing cutting-edge technology to its full potential, Gaillard offers an expanded, sharpened and deeply affecting novel view of the world around us. Complementing his immersive film installation is a selection of the artist’s latest sculptures.

Moving between photography, film and installation, Gaillard embarks upon a search for artefacts, monuments and architectural landmarks, as well as natural and urban landscapes that feature historical or modern ruins in states of neglect or reconstruction. This process allows the artist to investigate the effects and origins of social change. Entropy is an important theme for Gaillard: his works allude to the forms and techniques of Land art and Process art. The subcultures and youth movements that pervade public spaces also influence the artist. Gaillard transfers cultural materials and symbols into other contexts, rearranging images and ideas to critically examine the history of colonialism, thus inscribing his work with an enormous variety of cultural forms and symbols drawn from sources worldwide. The artist then engages these to examine the forces driving destruction and decay, as he observes and marks a continual disappearance of different cultures.




Sprüth Magers has expanded from its roots in Cologne (Germany) to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles–as well as an office in Cologne and an outpost in Hong Kong–Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.

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